I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

But, I think that the reason I responded to this book, sort of paradoxically, is that it starts out like The Big Chill, sort of. Four friends, who are not quite happy with their life, and every year they get together for a week and look for some comfort from each other.

Almost every other Western in the last ten years has failed, since Dances with Wolves.

You're not too smart, are you? I like that in a man.

I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.

I tell you, I feel like a real novice as far as horror goes.

That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.

And you know, when you take on something like this, you read a book like this, you know that it's going to be an adventure. That's part of what draws you to it.

I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.

Being a writer is like having homework every night for the rest of your life.

I want everything I do to have humor in it, because it seems to me that all of life has that.

I mean, I really liked those guys and the experience of doing Raiders was really good for me, but I did not really want to be involved - I only did Jedi, as I really owed George a favor.

I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.

But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.

Any story that Billy Wilder told, you can tell in a Western.

It's hard enough to get any movie made, and when you take on these tough genres - and I've done it a couple times - it just makes the whole struggle more.

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.

The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.

What you hope for, like Unforgiven did a lot to give you a chance to do it again sometime.

You know, Stephen says, in the movies no one ever goes to the bathroom. They shave, they brush their teeth. He goes right at this sort of funny taboo we have about the bathroom, and he turned it into this nightmare, you know, your worst fear of what's in there.

I really liked Carrie a lot. That was one of Brian De Palma's best movies.

The great thing about Stephen is that he sees the movie as a separate thing, I think. He wants it to capture the essence of the book, and if he feels that's been done, then he's not too particular about the details. I think that's why he's happy.

I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.

I just use my muscles as a conversation piece, like someone walking a cheetah down 42nd Street.

Food was a constant topic of conversation in our household.

A sudden silence in the middle of a conversation suddenly brings us back to essentials: it reveals how dearly we must pay for the invention of speech.

Don't knock the weather; nine-tenths of the people couldn't start a conversation if it didn't change once in a while.

What I think we need to do to engage the American people in a conversation about entitlement reform is to have a bipartisan group of people who come together and put every solution on the table, every alternative on the table. And then we ought to engage in a long conversation with the American people so they understand the choices.

It was impossible to get a conversation going, everybody was talking too much.

If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.

No animal should ever jump up on the dining-room furniture unless absolutely certain that he can hold his own in the conversation.

Wit is the salt of conversation, not the food.

Those who decide to use leisure as a means of mental development, who love good music, good books, good pictures, good plays, good company, good conversation - what are they? They are the happiest people in the world.

Although there exist many thousand subjects for elegant conversation, there are persons who cannot meet a cripple without talking about feet.

I've been in a serious conversation with one of my children, and a fan has come up. I've been in a public bathroom and had the hand come under the stall with a paper and pen. That sort of thing anybody can live without.

Tonight was a great opportunity to take on the political status quo that has given us trillion dollar deficits and put millions out of work. Our objective was to inject some common sense into the conversation among Republicans at a time when business-as-usual simply won't work.

Marriage is one long conversation, chequered by disputes.

I can wear a hat or take it off, but either way it's a conversation piece.

The difficulty with this conversation is that it's very different from most of the ones I've had of late. Which, as I explained, have mostly been with trees.

A good pun may be admitted among the smaller excellencies of lively conversation.

I spend a good portion of my dinner-party conversation defending America because no matter what the political agenda, it's still a fantastic, amazing place.

Well, my closest friends are still the ones that I went to school with, but it's nice to go to work, at the studios, and have people there that you're willing to talk to and have a good conversation with.

There was a sense of all the things that go on on the street, particularly in New York, that you are just completely unaware of, that that conversation could be happening at any time. I loved the instability of the camera. It's just an unstable world.

For most women, the language of conversation is primarily a language of rapport: a way of establishing connections and negotiating relationships.

If you are ever at a loss to support a flagging conversation, introduce the subject of eating.

The dining room in my old house was truly magnificent, but by far the worst room for conversation. I'd get up from the table, a very long table, and somebody would always say, Paul, I never got to talk to you.

His struggle for a bare living left him no time to take advantage of the public evening school. In time he learned to read, to follow a conversation or lecture; but he never learned to write correctly; and his pronunciation remains extremely foreign to this day.

When I spoke, I was listened to; and I was at a loss to know how I had so easily acquired the art of commanding attention, and giving the tone to the conversation.