I really liked Carrie a lot. That was one of Brian De Palma's best movies.

But, I think that the reason I responded to this book, sort of paradoxically, is that it starts out like The Big Chill, sort of. Four friends, who are not quite happy with their life, and every year they get together for a week and look for some comfort from each other.

Almost every other Western in the last ten years has failed, since Dances with Wolves.

You're not too smart, are you? I like that in a man.

I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.

I tell you, I feel like a real novice as far as horror goes.

That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.

And you know, when you take on something like this, you read a book like this, you know that it's going to be an adventure. That's part of what draws you to it.

I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.

Being a writer is like having homework every night for the rest of your life.

I want everything I do to have humor in it, because it seems to me that all of life has that.

I mean, I really liked those guys and the experience of doing Raiders was really good for me, but I did not really want to be involved - I only did Jedi, as I really owed George a favor.

I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.

But, George and Steven asked me to write the Indiana Jones sequels, and I didn't want to.

Any story that Billy Wilder told, you can tell in a Western.

It's hard enough to get any movie made, and when you take on these tough genres - and I've done it a couple times - it just makes the whole struggle more.

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western.

The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.

What you hope for, like Unforgiven did a lot to give you a chance to do it again sometime.

You know, Stephen says, in the movies no one ever goes to the bathroom. They shave, they brush their teeth. He goes right at this sort of funny taboo we have about the bathroom, and he turned it into this nightmare, you know, your worst fear of what's in there.

I really liked Carrie a lot. That was one of Brian De Palma's best movies.

The great thing about Stephen is that he sees the movie as a separate thing, I think. He wants it to capture the essence of the book, and if he feels that's been done, then he's not too particular about the details. I think that's why he's happy.

I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

Racing Stripes was so much fun to do. It's one of the funniest movies I've seen in a couple years.

I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.

I feel like I'm a fighter. I've fought my whole life to get to where I'm at. I like fight movies. When someone gets knocked down, I like to root for him to succeed.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.

That is why it's so fun to make movies... you get to do lots of things you would never do in your normal life.

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.