Labels don't mean anything to me. I'm trying to play as passionately as I'm able to. If they want to call that cool, that's fine. Just spell the name right, is the formula.

Out of Coltrane's whole history, there are things which I think are great from all the periods.

It was 100 percent music. There was no ego involved, no attitudes, no black and white, it was pure music.

Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode.

I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.

I hear many extra-musical things somehow in Coltrane.

I love Indian music very much, but I haven't studied that specifically.

A first love always occupies a special place.

You just keep playing. If someone special comes along and organizes it in a new way, then you'll have another approach and everybody will jump on it to try to learn.

As long as there are people trying to play music in a sincere way, there will be some jazz.

Bernstein grew up in my building in New York. He's a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz.

I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that.

Many people do think it's naive to improvise in front of paying customers. I'm not saying one way is better than another.

Sound is the first thing that we tune into.

Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary.

We all learn from each other, and I never really hung out with guys in that way, so I missed out.

A lot of bands were doing remotes from ballrooms around the country.

Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.

I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound.

It's very demanding to make up your own music.

I just completed a tour in Europe. I played every night. This requires traveling some days for six hours in a van or a train or a car. After six weeks of that, I checked into the hotel and just fell apart.

After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way.

I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to.

Labels don't mean anything to me. I'm trying to play as passionately as I'm able to. If they want to call that cool, that's fine. Just spell the name right, is the formula.

I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.

In some ways Lester Young is the most complex rhythmically of any musician. He does some things which are just phenomenal.

I'd like to feel that whatever I play is a result of whatever I've heard.

I wish that person outside would stop coughing.

The magic formula that successful businesses have discovered is to treat customers like guests and employees like people.

My formula for success is rise early, work late, and strike oil.

Fate is the endless chain of causation, whereby things are; the reason or formula by which the world goes on.

From the Bush Administration to the 9-11 Commission, there is an urgent and universally recognized need to change the broken formula through which Homeland Security grant money currently is allocated to our first responders.

But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.

Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.

When modern physics exerts itself to establish the world's formula, what occurs thereby is this: the being of entities has resolved itself into the method of the totally calculable.

I truly don't have any formula for the choices I make.

The most important single ingredient in the formula of success is knowing how to get along with people.

I hate Calvin and Hobbes. I think its a big re-hash of formula kid strips.

If I am given a formula, and I am ignorant of its meaning, it cannot teach me anything, but if I already know it what does the formula teach me?

My guess is that if they now choose to change of director for every other film, it's just because you can't really change the formula, you can merely try to film it your way.

There isn't any formula or method. You learn to love by loving - by paying attention and doing what one thereby discovers has to be done.

I cannot give you the formula for success, but I can give you the formula for failure - which is: Try to please everybody.

Under each formula lies a corpse.

If someone said to me that you can have three wishes, my first would have been to get into racing, my second to be in Formula 1, my third to drive for Ferrari.

I don't want to write formula. I don't want to crank these books out like sausages. Every book is different, which takes a hell of a lot of ingenuity on my part.

In sport there is never any moment that is the same as the other. I have been in Formula One for 12 years, and out of that I had one year with the perfect car.

A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.

Hollywood films have become a cesspool of formula and it's up to us to try to change it... I feel like a preacher! But it's really true. I feel personally responsible for the future of American cinema. Me personally.

The logic of Palladian architecture presented an aesthetic formula which could be applied universally.