The great thing about The Clash of course is that they keep searching for answers beyond that.

I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.

The first mistake of art is to assume that it's serious.

I mean Iggy and The Stooges first couple of albums I think sold twenty five thousand between the two of them you know and so to talk in terms of an underground I mean you have to go really to the independent labels and things like that.

I mean the interesting thing I think would be if something happened like, what happened in England where all these kids that all of a sudden can't afford the ticket prices.

And doing so you can recreate yourself and you can also come up with something that is not only original and creative and artistic, but also maybe even decent, or moral if I can use words like that, or something that's like basically good.

Corporations are social organizations, the theater in which men and women realize or fail to realize purposeful and productive lives.

No, I see it as meaning very little at the moment because none of the groups are about anything.

I'm really schizophrenic about that, because on the one hand I would say, yes there is, there's something inherently, even violent about it, it's wild and raw and all this.

No I don't think it was a myth at all, anymore than what the recession that the whole country was experiencing was a myth, which obviously seems like it's going to get worse and worse.

In fact I think now we've reached a point now, where the powers that be really have sort of vested interest in all of us being stoned out as much as possible all the time so we don't know what's going on, and we don't care.

It's much easier to wear a Chairman Mao button and shake your fists in the air and all that, then to actually read the Communist manifesto and things like that and actually become involved in politics.

Most of them are pretty down records, pretty unhappy, pretty confused. Which only reflects how people in general were feeling, I mean really the sense that you get is society running down.

The great thing about The Clash of course is that they keep searching for answers beyond that.

The ultimate sin of any performer is contempt for the audience.

That's one reason why it's pretty worthless, I can't totally buy it, if you think about it, it's things like the Phil Spector records. On one level they were rebellion, on another level they were keeping the teenager in his place.

I mean it's easier to be in a demonstration if it's a trip that's one of the reasons why the whole thing fell apart in 1971, because it wasn't a trip any longer.

Or like in the early 70's when we had the reaction against acid rock and all the fuzz tone, and feedback, and the noise. And you had James Taylor and everyone went acoustic and that.

Nothing ever quite dies, it just comes back in a different form.

Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.

I don't see that there are any particular changes in popular music.

When kids can't afford to see it anymore maybe we'll have a whole resurgence of garage bands all over America and this New Wave thing will start to mean something on a grass roots level.

Basically no, I mean I think that it's very easy to like I say, smoke a joint or even to wear a Chairman Mao button, or do a lot of these things with out knowing what's behind it, and what it really means.

Here we are in the 70's when everything really is horrible and it really stinks. The mass media, everything on television everything everywhere is just rotten. You know it's just really boring and really evil, ugly and worse.

The thing is that, they all had real strong personalities and real distinct identities, and I don't find most of the groups that are coming out now really do.

As far as a truly radical conscience, you have to take it as part of a larger thing, that it was sort of historical inevitability that with the coming of a leaguer society people would start to use drugs a lot more then they had before.

People don't want to be plagued by not knowing-they want answers.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

I wish I knew at 14 not to put much thought into what other people my age said to me, cause we were all looking for the answers. So I wish I knew that other people really don't know any more than you do!

Einstein was a man who could ask immensely simple questions. And what his work showed is that when the answers are simple too, then you can hear God thinking.

The uncreative mind can spot wrong answers, but it takes a very creative mind to spot wrong questions.

To play a good guy is nice because in a way, he is so open for answers.

Some people think technology has the answers.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Nature puts no question and answers none which we mortals ask. She has long ago taken her resolution.

The only interesting answers are those that destroy the questions.

Real answers need to be found in dialogue and interaction and, yes, our shared human condition. This means being open to one another instead of simply fighting to maintain a prescribed position.

This story, I predict, will grow to be worse than Watergate. The American people need to have the answers.

By the time the people asking the questions are ready for the answers, the people doing the work have lost track of the questions.

I was asking Charlie the most important questions, and you heard the answers.

There are many who lust for the simple answers of doctrine or decree. They are on the left and right. They are not confined to a single part of the society. They are terrorists of the mind.

You need to make a commitment, and once you make it, then life will give you some answers.

I think it does suggest that the American people really do want to listen to somebody who actually has some solutions, some answers, and gives them some hope.

We don't know all the answers. If we knew all the answers we'd be bored, wouldn't we? We keep looking, searching, trying to get more knowledge.

That's where I began to ask questions that maybe don't have one specific answer. And the more people you get answers from, the richer the environment becomes.

One of the things that is wrong with religion is that it teaches us to be satisfied with answers which are not really answers at all.

There is no such thing as an unreasonable question, or a silly question, or a frivolous question, or a waste-of-time question. It's your life, and you've got to get these answers.

Tintinnabulation is an area I sometimes wander into when I am searching for answers - in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning.

When the media ask George W. Bush a question, he answers, 'Can I use a lifeline?'