The weird thing about this business - and I'm sure this operates in many other things, but it's very present and acute in this business - is that a lot of people don't realize that they have power. Particularly actors.

Cannes is a very strange place. I tried to show up as best I could and to try not to be cynical.

If someone puts up $100 million on a movie, they're gonna be concerned about whether they'll get it back. So they're not gonna make a movie about three girls, you know?

When it's working, what acting is really about is getting into the essence of a moment in a creative, joyous way - through whatever frees you up.

I do believe there's good in all of us, even if it's layered over so thickly.

It's been very important for me to follow my gut or my heart, or whichever organ you want to go by.

I tried to do the commercial thing. But I don't want to keep shoving Twinkies down everyone's throat. People are hungry for something of more substance.

The weird thing about this business - and I'm sure this operates in many other things, but it's very present and acute in this business - is that a lot of people don't realize that they have power. Particularly actors.

I see my job as an actor to be as good a channel as I can be. Acting is a gift, and I have respect for it.

As a woman, a lot of stories haven't been told and we've got a lot of catching up to do.

I felt that the biological clock was some myth to keep me from doing what I wanted to do. And so I rebelled against it in the '90s. I thought it was a backlasher, some sort of faulty data. But it's real. I'm glad I woke up before my body was just like 'uh-uh.'

I guess the characters I play may be at the more destructive edge of the spectrum, more damaged or whatever, but I find a lot of female roles uninteresting.

I like to play smart, three-dimensional women. I also like to play roles where the women are a little crazy. I just have a feel for crazy people.

I love Central Park. I spend a lot of time in there. I try and get in there whenever I can.

It's tricky to say 'never,' but I will never have plastic surgery.

There's been a slow death in a way. On the positive side, there are films getting into the Academy Awards that wouldn't have, but on the negative side, financiers are now dominant and making all the decisions. I can't count the ways a director's vision is compromised.

To do work that's not going to be fulfilling doesn't make sense.

Two things I'm trying to work on are openness and flexibility.

We need art. We've been telling stories since the beginning. As human beings, we need it for our survival.

You can rest a lot in an hour or have a whole day and not do it properly. One way I get a quality recharge is to connect with nature. To experience something that's bigger than me.

Its been very important for me to follow my gut or my heart or whichever organ you want to go by.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

My favorite actors when I was a kid were in their '60s. Spencer Tracy, Humphrey Bogart, John Wayne.

I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.

I usually hang out on the set. I get to know everybody. I have a nice time with the other actors.

But what I did think would be interesting is if we created a fictitious story of our own, and then took these stories that we had collected and assigned them to characters who would be played by actors.

Actors are an insecure breed. It's hard to have your career depend upon other people's opinions of what you do.