That's basically what's going on now: Everything is propaganda.

That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.

All of my style came from listening to records.

Those 12 years, they were ambiguous at best.

Another thing that was unique about working on this stuff was that I was engineering it. I used many of the things I had learned while I was away from the band. It sort of vindicated my decision to leave in '87.

You know, I was never totally thrilled with being a Fleetwood Mac member, but surprisingly, I was having such a good time reuniting with John, Mick, and Stevie.

I'm also married for the first time, and I have two kids. So there's some kind of good karma right now.

I was playing a Fender Telecaster when I first joined.

When Stevie and I joined the band, we were in the midst of breaking up, as were John and Christine. By the time Rumours was being recorded, things got worse in terms of psychology and drug use. It was a large exercise in denial - in order for me to get work done.

The 12 years I was in Fleetwood Mac before were not particularly happy years. I was not in a very good place, psychologically, when I left. I didn't have a lot of confidence in what I was doing.

I didn't take lessons, and I don't know my scales.

But by taking the time away, getting myself off the treadmill, and just slowing down and learning, I felt I had so much more to give back. And maybe that was something that needed to happen for all of us.

Years on, Christine and John still have a deep love for each other, as do Stevie and I - we've been working together since I was 17.

After a couple of failed attempts, I came up with a weird tuning where I was dropping the G string down a step so that it became a seventh, and it got me to a place where I could play all these figures fairly easily. It was not an easy thing to work out.

I also learned to be more confident, to trust my instincts more.

The writing is all done, so it's all about verbalizing everything from point A to point B, and certainly there's a bit of politics involved, so it's a different thing.

That's basically what's going on now: Everything is propaganda.

Some days I would be there at ten in the morning and wouldn't leave till ten at night, and the others would waltz in for a couple of hours and then leave, because I was doing that painting thing. And they were happy to see that being done.

Confounding people's expectations was a way to maintain integrity.

That's the only way to do it. Just like an actor. You can get a great performance if you do a bunch of takes and edit it. You find the moments and string them together.

Even though I had pushed through the Tango album, it was just not a very good environment to be in on a daily basis. In many ways, this is the best time of my life.

When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.

This time, there were no drugs involved. The hours were completely normal daytime hours. I think we were able to appreciate the interplay, where before we had taken it for granted.

It's really touching that we can come back after so long and care about making an album that says as much as this one does. And after all this time, we really do care about each other.

When I work alone, it can be like dabbling with a canvas. Maybe you paint over bits, and it starts to form its own life and lead you off in a direction. It becomes an intuitive, subconscious process.

Ironically, that was quite a bit of the appeal of Rumours. It's equally interesting on a musical level and as a soap opera.

I had to seal off my feelings about Stevie while seeing her every day and having to help her, too. But you get on with it. What was happening to the band was much bigger than any of that.

They tried to get me to use a pick when I first joined the band. They had certain things they thought were appropriate. I tried to adapt as much as I could.

I just find things that work and embellish them.

When you become successful on the level that Fleetwood Mac did, it gives you financial freedom, which should allow you to follow your impulses. But oddly enough, they become much harder to follow.

The thought of being on my own really terrified me. But then I realized being alone is really a cleansing thing.

Pacifist propaganda and the resolutions of the parliamentarians encouraged such treaties, and toward the end of the nineteenth century their number had increased considerably.

The methods of peace propaganda which aim at establishing peace doctrine by argument and by creating a feeling favorable to peace in general seem to fall short of reaching the springs of human action and of dealing with the causes of the conduct which they seek to modify.

Nevertheless, this type of propaganda has a special value, for it serves to convince those who sign the appeal, of the necessity for carrying on propaganda; so a corps of propagandists, if I may use the term, is thus trained.

Propaganda is to a democracy what the bludgeon is to a totalitarian state.

Terrorism is in good part an effective government propaganda; it serves to deflect attention from governmental abuse toward a mostly imagined, highly dangerous outside enemy.

The Social-Democratic Federation took part in all the political and economic struggles of the English working class; it took pains to bring Socialist views home to them, not only through agitation and propaganda, but also by actions.

The reporting of news has to be understood as propaganda for commodities, and events by images.

We have to stop the propaganda, the shameful propaganda used by Kremlin to rehabilitate these old types.

Furthermore, it is not distorting history to say that it was largely through the efforts and propaganda of our International Federation that the government of the U.S.S.R. was recognized by the majority of the great powers.

It is claimed, but with what truth we cannot say, that there is a well-defined propaganda among the aliens of colour to bring about the degeneration of the white race.

Through clever and constant application of propaganda, people can be made to see paradise as hell, and also the other way round, to consider the most wretched sort of life as paradise.

Only the mob and the elite can be attracted by the momentum of totalitarianism itself. The masses have to be won by propaganda.

What practical conclusions may we now draw for our propaganda work among women? The task of this Party Congress must not be to issue detailed practical suggestions, but to draw up general directions for the proletarian women's movement.

Cases of sickness made up a very small percentage which in my opinion was normal. However, propaganda pamphlets dropped from aircraft were telling the workers to feign illness, and detailed instructions were given to them on how to do it.

Propaganda is a soft weapon; hold it in your hands too long, and it will move about like a snake, and strike the other way.

Why is propaganda so much more successful when it stirs up hatred than when it tries to stir up friendly feeling?

Propaganda in the ordinary sense of the term plays a less important part in a consumer society, where people greet all official pronouncements with suspicion.

Propaganda is that branch of the art of lying which consists in nearly deceiving your friends without quite deceiving your enemies.