This time, there were no drugs involved. The hours were completely normal daytime hours. I think we were able to appreciate the interplay, where before we had taken it for granted.

That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.

All of my style came from listening to records.

Those 12 years, they were ambiguous at best.

Another thing that was unique about working on this stuff was that I was engineering it. I used many of the things I had learned while I was away from the band. It sort of vindicated my decision to leave in '87.

You know, I was never totally thrilled with being a Fleetwood Mac member, but surprisingly, I was having such a good time reuniting with John, Mick, and Stevie.

I'm also married for the first time, and I have two kids. So there's some kind of good karma right now.

I was playing a Fender Telecaster when I first joined.

When Stevie and I joined the band, we were in the midst of breaking up, as were John and Christine. By the time Rumours was being recorded, things got worse in terms of psychology and drug use. It was a large exercise in denial - in order for me to get work done.

The 12 years I was in Fleetwood Mac before were not particularly happy years. I was not in a very good place, psychologically, when I left. I didn't have a lot of confidence in what I was doing.

I didn't take lessons, and I don't know my scales.

But by taking the time away, getting myself off the treadmill, and just slowing down and learning, I felt I had so much more to give back. And maybe that was something that needed to happen for all of us.

Years on, Christine and John still have a deep love for each other, as do Stevie and I - we've been working together since I was 17.

After a couple of failed attempts, I came up with a weird tuning where I was dropping the G string down a step so that it became a seventh, and it got me to a place where I could play all these figures fairly easily. It was not an easy thing to work out.

I also learned to be more confident, to trust my instincts more.

The writing is all done, so it's all about verbalizing everything from point A to point B, and certainly there's a bit of politics involved, so it's a different thing.

That's basically what's going on now: Everything is propaganda.

Some days I would be there at ten in the morning and wouldn't leave till ten at night, and the others would waltz in for a couple of hours and then leave, because I was doing that painting thing. And they were happy to see that being done.

Confounding people's expectations was a way to maintain integrity.

That's the only way to do it. Just like an actor. You can get a great performance if you do a bunch of takes and edit it. You find the moments and string them together.

Even though I had pushed through the Tango album, it was just not a very good environment to be in on a daily basis. In many ways, this is the best time of my life.

When I work alone, my process is like painting. With Fleetwood Mac, it's more like movie making.

This time, there were no drugs involved. The hours were completely normal daytime hours. I think we were able to appreciate the interplay, where before we had taken it for granted.

It's really touching that we can come back after so long and care about making an album that says as much as this one does. And after all this time, we really do care about each other.

When I work alone, it can be like dabbling with a canvas. Maybe you paint over bits, and it starts to form its own life and lead you off in a direction. It becomes an intuitive, subconscious process.

Ironically, that was quite a bit of the appeal of Rumours. It's equally interesting on a musical level and as a soap opera.

I had to seal off my feelings about Stevie while seeing her every day and having to help her, too. But you get on with it. What was happening to the band was much bigger than any of that.

They tried to get me to use a pick when I first joined the band. They had certain things they thought were appropriate. I tried to adapt as much as I could.

I just find things that work and embellish them.

When you become successful on the level that Fleetwood Mac did, it gives you financial freedom, which should allow you to follow your impulses. But oddly enough, they become much harder to follow.

The thought of being on my own really terrified me. But then I realized being alone is really a cleansing thing.

Plan Colombia was supposed to reduce Colombia's cultivation and distribution of drugs by 50 percent, but 6 years and $4.7 billion later, the drug control results are meager at best.

While I recognize the great value and importance of prescription drugs and strongly support a continued U.S. focus on pharmaceutical research and development, our nation's seniors cannot be asked to subsidize the drug costs of other wealthy industrialized nations any longer.

I wouldn't recommend sex, drugs or insanity for everyone, but they've always worked for me.

I was 48-years old before anybody talked me into it for medicinal purposes, instead of some of these drugs that they give you that will lead you to heart surgery and things of that nature.

I was a gang leader. Although, it was a gang for defensive purposes. It was not a gang to sell drugs.

Drugs will get you out of your own way, but we lived it, and that's dangerous. It can actually turn around on itself and steal your soul, and that's what happened.

Previously people were treated anonymously particular on a drugs situation which is obviously highly emotive. They have been treated anonymously even after the verdict had been reached.

Drugs are a bet with your mind.

A lot of victims, for example, have become addicted to alcohol and drugs. It seems to me that the church's healing ministry is going to be enhanced through this in much broader strokes. That's good, it's all positive.

Sex and drugs were simply not discussed in our culture at that time.

It was 1967, and the hippie thing was happening. I got into experimenting with drugs while I was in college in Michigan.

And because of these programs like Medicare, Medicare prescription drugs, Social Security, we now have the healthiest and wealthiest group of senior citizens that the world has ever seen. This is a continuing commitment to that.

If you have children, you don't want to have drugs and drinks in the house. It's just not good.

Well, I'm kinda like George Carlin. I think that there ought to be a time where everybody should have all the drugs they want and there'd be nobody in charge, sort of like... now!

If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.

Sex and drugs and rock and roll.

Reality is a crutch for people who can't handle drugs.

It wouldn't sit easily on one's conscience that you had been warned and there could be danger, but nevertheless you went ahead and said let's dispense these drugs.