When I found out I got this job, I cried, of course - I'm a girly-girl - and then I called my dad, and he cried, too. On so many levels, this is a thrill for me.

I know I'll be under a spotlight, I know I'll be under the microscope.

There's that initial reticence for some athletes to take you seriously.

In terms of broadcasting, you have to make decisions about where you want to spend your time.

We're starting to push the envelope in terms of the expectations, and you can also have your own style, personality and sense of humor, because now we're allowed to.

I was so afraid that the athletes wouldn't talk to me because I'm a woman.

I grew up watching Monday Night Football with Howard Cosell and the other guys with my dad.

No, one of the great things about my three-year deal is that it's year-round. They've offered me an opportunity to cover a lot of things in the offseason, too.

My approach is a very human one, as a fan.

Constantly there's a credibility issue; you're judged on how you look. If you look good, people assume you aren't credible. It's a battle you'll always fight if you're on TV and a female.

I've always been the only girl in those environments. It's comfortable for me - I prefer it, actually.

On my morning run, I listen to sports talk radio.

When I found out I got this job, I cried, of course - I'm a girly-girl - and then I called my dad, and he cried, too. On so many levels, this is a thrill for me.

I'm looking forward to talking to Bill Parcells, too, and to seeing how that marriage with Jerry Jones goes.

You just have to hope that they'll grant you an interview.

I've always been around dudes and sports.

So I plan to prepare thoroughly and have several outfits waiting in the wings in case of inclement weather.

I'm proud of what I look like. I'm proud that I look like my mom.

And that Michael Irvin would care more about his wardrobe than I would?

I want to know about what makes an athlete tick.

I'm proud of being Hispanic.

In the morning, I reach for the sports page.

Being attractive and being credible can and do go together.

My mom died when I was 8.

So my dad raised me, and he's a huge football fan.

I'm not going to relate to an athlete as a peer.

You mean the fact that Tom Arnold would spend more time with the hair and makeup people than I would?

And I'm proud of what I do as a professional, too.

I'm comfortable with my femininity, and I don't try to change what I look like just because I'm reporting on football at the end of the night.

When I'm anchoring, I miss chasing stories in the field.

I love color and I love to dress like a woman.

Constantly theres a credibility issue youre judged on how you look. If you look good people assume you arent credible. Its a battle youll always fight if youre on TV and a female.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

It was tough at the time but when I was younger, my Dad. I would say my Dad, because without him I wouldn't have been here. I mean it was tough for me because he was really demanding. With him, it was never enough, you know, anything I did was never enough.

David and Dad didn't get along too well growing up. I mean we all got along, but it was harder on David, because David wasn't going to be the son that Dad wanted. But now they're like best friends.

Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.

I feel lazy when I'm not working. I learned all my business sense from my dad. He always believed in me, and I think the last thing he said to me before he passed away was, 'I know you're gonna be OK. I'm not worried about you'.

And I love Mel Brooks. My Dad loved his movies, too, they're awesome, the kind of thing that if you're in for ten minutes, you're in for two hours.

My mom and dad met at UCLA when he as a captain in the Air Force and she was in her junior year.

My dad was born in Chicago in 1908... his parents came from Russia. They settled in Chicago, where they lived in a little tiny grocery store with eight or nine children - in the backroom all together - and my grandmother got the idea to go into the movie business.

Mom and Dad would stay in bed on Sunday morning, but the kids would have to go to church.

My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.

I have to remind my dad, 'Journalists - no matter how many cigars they smoke with you - are not your friends, so don't talk to them.'

We came from a family where we ran our own small business. Our dad made his own products. We made our own sausages, our own meatloafs, our own pickles. Dad had to do everything himself. He had to figure out how to finance his business.

My dad was a carpenter and I would work with him during the summer and umpire on the nights I wasn't playing.

It was sort of just a family sport. My mom and dad were pretty keen golfers when I was young and so were my grandparents, and I just sort of tagged along with them.

My dad takes care of me as a manager and as a dad. That's his job, you know, to take care of me. He has my best interests at heart.

My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.

Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class; I'm a bit wary of that. My dad is the son of a shipbuilder.