When I was discharged, I attended the University of Paris and met a beautiful Parisian girl, Janine. We soon married and eventually returned to the States.

Most of my books have been written in the form of fantasy.

After I saved some money, I quit work and went to a local college.

I decided that adventure was the best way to learn about writing.

My concern is how we learn to be genuine human beings.

It was 1943. The U.S. had already entered World War II, so I decided to join the army.

If writers learn more from their books than do readers, perhaps I may have begun to learn.

Shakespeare, Dickens, Mark Twain, and so many others were my dearest friends and greatest teachers.

When I was discharged, I attended the University of Paris and met a beautiful Parisian girl, Janine. We soon married and eventually returned to the States.

Eventually, I was sent to Wales and Germany, and after the war, to Paris.

I loved all the world's mythologies.

My family pleaded with me to forget literature and do something sensible, such as find some sort of useful work.

After seven years of writing - and working many jobs to support my family - I finally got published.

All that writers can do is keep trying to say what is deepest in their hearts.

We learn more by looking for the answer to a question and not finding it than we do from learning the answer itself.

King Arthur was one of my heroes - I played with a trash can lid for a knightly shield and my uncle's cane for the sword Excalibur.

Using the device of an imaginary world allows me in some strange way to go to the central issues - it's one of many ways to express feelings about real people, about real human relationships.

My parents were horrified when I told them I wanted to be an author.

There's this huge number of desperate people.

I decided that adventure was the best way to learn...

A crown is more discomfort than adornment. If you have learned that you have already learned much.

A crown is a pitiless master harsher than the staff of a pig keeper while a staff bears up a crown weighs down beyond the strength of any man to wear it lightly.

Fantasy is hardly an escape from reality. Its a way of understanding it.

It is harsh enough for each man to bear his own wound. But he who leads bears the wounds of all who follow him.

The only thing a cat worries about is what's happening right now. As we tell the kittens, you can only wash one paw at a time.

Seize the day, whatever's in it to seize, before something comes along and seizes you.

When I look back now, it must have been like Paris was at the time of Le Sacre du Printemps.

At home in Paris I take a milk bath two times a week, but here on the road it is more difficult. I miss them.

One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.

You have people who can't act and they get all these parts. Paris Hilton falls into her own category. She's made a career out of it.

If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.

I made the decision to come back to New York, quit my job and move to Paris.

The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'

When Paris has to pee, Paris has to pee!

Good talkers are only found in Paris.

I stayed three weeks in Paris, fell in love with the city, and decided that I was born to live in Paris.

I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel, read 2,000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano.

I was backstage in Paris and saw Cindy Crawford doing House Of Style. I thought, I would love to to be in control of my career.

The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all.

When I was at school at Paris, I had special lessons from Mademoiselle Antoine, an actress at the Comedie Francaise, and I was taken to every sort of play. I felt very grand.

I've never seen the Osbournes, I've never seen Paris Hilton. I'd rather read than watch reality TV. I'd rather live life than watch somebody else living it.

Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced.

It was so quiet that morning in Paris that the heels of my two companions and myself were loud on the deserted pavements. It was a city of shuttered shops, and barred windows, and deserted avenues.

I will always remember this summer day in Paris, when I was to perform a great acrobatic move. I can still see myself stepping on the ring of a packed circus along real performers.

I've been to Paris France and I've been to Paris Paramount. Paris Paramount is better.

We had maybe the greatest success of any company that I know of in Paris, and after two or three years I wanted to do this same number that we did for PBS, so we did it and Paris had always considered us their darlings.

Whoever would have guessed that in the land of cheap sausages and mashed potatoes there could be such a change which would actually bring the French from Paris every weekend to invade Britain en masse to eat great food and drink great wine.

America is a nation with no truly national city, no Paris, no Rome, no London, no city which is at once the social center, the political capital, and the financial hub.

If I look at it, it's about being able to get lost in New York, to explore the city, to have more personal stories about New York, although some could also take place in Paris.