Men, when they fight in movies, it's a very different style. Harrison Ford was so cool when he had the whip, and Bruce Lee was such an artist that you couldn't take your eyes off of him.

I always admired Wonder Woman and the Incredible Hulk - but I don't know if I'd be a very convincing hulk.

You respect all of these people that you know in the business as actors. And they sort of turn around and say, we really like your work. It's a nice acknowledgment.

Since we didn't use guns, we wanted to make sure we could earn the ability to win the audience over by making it believable. A lot of what you do when you work out in that mode is use your mental energy.

You have to look out for becoming trapped in a place where people want to see you all the time doing one thing.

Women who wear kimonos, when the fight, they have to keep their knees together, and when they use a sword, they have to move the sleeves otherwise it gets caught.

If you see the Sopranos, you're not going to be speaking in the Shakespearean English.

Once you embody the language, the character comes really naturally, especially when you put the costume on.

I try to distinguish my characters from each other.

Japanimation is a whole different art form.

It's so much fun playing Ling, but I have this fear that people are going to run away from me in terror on the streets. They think I'm going to bite their heads off or something.

I think you just have to appreciate who you are and hopefully they can see what a superhero is about.

Men, when they fight in movies, it's a very different style. Harrison Ford was so cool when he had the whip, and Bruce Lee was such an artist that you couldn't take your eyes off of him.

Women like to watch women fight because it makes them feel sort of empowered physically and mentally. They feel kind of jazzed and excited by it.

I've never really thought about competing with cartoons. If it ever gets to that point, then just shoot me.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.

Being Asian in this business is something you have to consider, because sometimes people aren't as open. They'll say, I can't see you with a Caucasian person.

When you work with chains or any kind of weapons, or just when you're using hand-to-hand combat, you are going to get hurt.

Nobody really tells me what's going on, and I find out via the trades myself.

You can't look back; you have to keep looking forward.

Everything I buy is vintage and smells funny. Maybe that's why I don't have a boyfriend.

I've definitely become much more aware of physical stunts.

The neck is kind of what's sexy in Japan, so you have to have the kimono a little bit back. It was just a whole different way of appealing to what was sexy.

It's like kill or be killed, that's my thing basically.

Working on the Samurai sword is very different because your body position has to be very still. It's a much quieter was of fighting.

They were concerned about the racial issue. They thought it was not a safe issue to go Asian, unfortunately.

Ten years of Pilates has really changed my body for the better.

Working on the samurai sword is very different because your body position has to be very still. It's a much quieter was of fighting.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.