You respect all of these people that you know in the business as actors. And they sort of turn around and say, we really like your work. It's a nice acknowledgment.

I always admired Wonder Woman and the Incredible Hulk - but I don't know if I'd be a very convincing hulk.

You respect all of these people that you know in the business as actors. And they sort of turn around and say, we really like your work. It's a nice acknowledgment.

Since we didn't use guns, we wanted to make sure we could earn the ability to win the audience over by making it believable. A lot of what you do when you work out in that mode is use your mental energy.

You have to look out for becoming trapped in a place where people want to see you all the time doing one thing.

Women who wear kimonos, when the fight, they have to keep their knees together, and when they use a sword, they have to move the sleeves otherwise it gets caught.

If you see the Sopranos, you're not going to be speaking in the Shakespearean English.

Once you embody the language, the character comes really naturally, especially when you put the costume on.

I try to distinguish my characters from each other.

Japanimation is a whole different art form.

It's so much fun playing Ling, but I have this fear that people are going to run away from me in terror on the streets. They think I'm going to bite their heads off or something.

I think you just have to appreciate who you are and hopefully they can see what a superhero is about.

Men, when they fight in movies, it's a very different style. Harrison Ford was so cool when he had the whip, and Bruce Lee was such an artist that you couldn't take your eyes off of him.

Women like to watch women fight because it makes them feel sort of empowered physically and mentally. They feel kind of jazzed and excited by it.

I've never really thought about competing with cartoons. If it ever gets to that point, then just shoot me.

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.

Being Asian in this business is something you have to consider, because sometimes people aren't as open. They'll say, I can't see you with a Caucasian person.

When you work with chains or any kind of weapons, or just when you're using hand-to-hand combat, you are going to get hurt.

Nobody really tells me what's going on, and I find out via the trades myself.

You can't look back; you have to keep looking forward.

Everything I buy is vintage and smells funny. Maybe that's why I don't have a boyfriend.

I've definitely become much more aware of physical stunts.

The neck is kind of what's sexy in Japan, so you have to have the kimono a little bit back. It was just a whole different way of appealing to what was sexy.

It's like kill or be killed, that's my thing basically.

Working on the Samurai sword is very different because your body position has to be very still. It's a much quieter was of fighting.

They were concerned about the racial issue. They thought it was not a safe issue to go Asian, unfortunately.

Ten years of Pilates has really changed my body for the better.

Working on the samurai sword is very different because your body position has to be very still. It's a much quieter was of fighting.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.