I like to write in a shroud of secrecy because I have to keep finding ways to scare myself.

Movies will end up being this esoteric art form, where only singular people will put films out in a small group of theaters.

When they see those fourteen lights, they're looking at a miracle. And deep down, they feel that whatever's going to happen, there will be someone there to help them. And that fills them with hope.

Is it possible that there are no coincidences?

Are you in my dream too?

There's a monster outside my room, can I have a glass of water?

I like to write in a shroud of secrecy because I have to keep finding ways to scare myself.

There is no one looking out for us. We are all alone.

See what you have to ask yourself is what kind of person are you? Are you the kind that sees signs, sees miracles? Or do you believe that people just get lucky?

I knew the moment it happened, it was a miracle. I could have been kissing her when she threw up. It would have scarred me for life. I may never have recovered.

There are a lot of things I can take, and a few that I can't. What I can't take is when my older brother, who's everything that I want to be, starts losing faith in things. I saw that look in your eyes last night. I don't ever want to see that look in your eyes again.

'The Exorcist' is the scariest movie ever made. It just felt dead-on real, like you were watching the existence of the devil.

'The Last Airbender' is genetically engineered for me. I love martial arts. I study it. The movie's based on a lot of Buddhist and Hindu philosophy. I was raised Hindu.

Always in life bad times will lead to great times.

Anime is intended to have ambiguous features. That's part of the art form.

Being insecure - I'm a master, a virtuoso - they can be handing me the keys to the kingdom and all I can think is, I hope I don't drop the key.

For instance, 'The Sixth Sense' had mediocre to bad reviews. Slowly, the audience pushed it and it received critical attention.

I don't like to chase an audience. You can smell when someone is chasing an audience and it's not good.

I don't want to pretend I'm any cooler or smarter than I am.

I have a naive outlook on life. That's who I am.

I have worked hard and learnt that I have to make a decision - whether I am going to conform and protect myself or not. I chose not to.

I love my stories being multi-layered, and coming at it from different angles, so that you don't understand the film's true emotional motivation until the very end.

I offer originality: you don't know what my films are like until you go to them. I think that's the reason I've been getting all this attention.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

My secret to all casting, and specifically kids, is cast good human beings.

The first two movies I directed failed, when I was 21 and 23, and that was the greatest thing that could have happened.

The thing that's protected me creatively is that the movies have made profits.

When I was a kid, I had two great guilty pleasures. One was horror movies and the other was martial arts movies.

When you say 'fear of the unknown', that is the definition of fear; fear is the unknown, fear is what you do not know, and it's genetically within us so that we feel safe. We feel scared of the woods because we're not familiar with it, and that keeps you safe.

Filmmakers have to find the right materials to match their voice.

Life within the Kremlin was shrouded in impenetrable secrecy.

But then, so far as I know, I am the only performer who ever pledged his assistants to secrecy, honor and allegiance under a notarial oath.

Children love secret club houses. They love secrecy even when there's no need for secrecy.

The higher the classification of secrecy, the quicker you will report it.

Secrecy is the chastity of friendship.

There is nothing we like to communicate to others as much as the seal of secrecy together with what lies under it.

In all secrets there is a kind of guilt, however beautiful or joyful they may be, or for what good end they may be set to serve. Secrecy means evasion, and evasion means a problem to the moral mind.

Secrecy is the freedom tyrants dream of.

In such a case secrecy must be absolute to be effective, and although mere vague curiosity induced many persons of my intimate acquaintance to ask to be allowed to just go in and have a peep, I never admitted anyone.

Secrecy sets barriers between men, but at the same time offers the seductive temptation to break through the barriers by gossip or confession.

The better the information it has, the better democracy works. Silence and secrecy are never good for it.

Secrecy is thus, so to speak, a transition stadium between being and not-being.

Secrecy is the element of all goodness; even virtue, even beauty is mysterious.

Secrecy, being an instrument of conspiracy, ought never to be the system of a regular government.

Secrecy is the first essential in affairs of state.

I like to write in a shroud of secrecy because I have to keep finding ways to scare myself.

So far as I know, there were no pains taken to preserve secrecy on this subject; that is, I saw no attempt made to keep any of the inmates of the Convent in ignorance of the murder of children.

Every relationship between two individuals or two groups will be characterized by the ratio of secrecy that is involved in it.

There are many hands touching ballots after a voter drops his ballot into the ballot box. There is no guarantee of ballot secrecy for anyone, which makes the whole system vulnerable to intimidation and bribery.