In Japan, Australia, and England there is such a strong youth culture.

I never buy magazines, I never even buy books.

I was sort of open to do anything, I was free.

You know like it has its own personality, its own character.

I'm interested in youth culture and popular culture.

My life style in a sense is kind of private.

I have a lot of objects in my space, little things, reminders, memories.

You know some people say that you make watches or perfume bottles, it's all different things.

I think it's really important to design things with a kind of personality.

If you can just be yourself, then you have to be original because there's no one like you.

Yeah, my dream would be to work for 6 months and then have 6 months to play, just snowboarding, surfing, and going to cool places to listen and be alone and kinda chill out.

And where I grew up in Australia, surfing was a part of culture.

Then I started to do furniture and interiors for a friend and just to get stuff in a magazine, and then slowly started to build up and started to doing exhibitions.

People kind of tend to mystify design and architecture by suggesting you need to train.

I don't have any furniture of mine in my room.

Design schools are good, I guess, sometimes I visit schools, but they are very very limiting.

To create well I have to be in a good mood, happy and cool.

If somebody asked me about my inspiration I would say that it's not the peopleand it's not the things, it's travel and experiencing different environments.

I was much more interested in making things than in designing them.

I'd love to be approached to do ordinary things more.

I don't like to make my life like a book.

Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.

So if I design it and then go away, it's still living somewhere and it still exists by itself without me.

If you see something that you feel is familiar it gives you an important kind of emotional connection.

If I can feel freedom then I can create.

You know that's history, that's why some people say that my stuff is retro, but I don't agree.

I've always listened to a lot of film music, actually.

But to me, to be original is to be yourself.

So if I want to buy a light in a shop and I don't find a light that I like, I think to myself what would I like? What would I like to buy? Then I started to imagine and design it for myself a lot of the time.

I made some salt and pepper shakers a while back and waited three years for them to come.

In Japan, Australia, and England there is such a strong youth culture.

Now I'm doing more snowboarding but I have to get back into surfing again.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.