People kind of tend to mystify design and architecture by suggesting you need to train.

I never buy magazines, I never even buy books.

I was sort of open to do anything, I was free.

You know like it has its own personality, its own character.

I'm interested in youth culture and popular culture.

My life style in a sense is kind of private.

I have a lot of objects in my space, little things, reminders, memories.

You know some people say that you make watches or perfume bottles, it's all different things.

I think it's really important to design things with a kind of personality.

If you can just be yourself, then you have to be original because there's no one like you.

Yeah, my dream would be to work for 6 months and then have 6 months to play, just snowboarding, surfing, and going to cool places to listen and be alone and kinda chill out.

And where I grew up in Australia, surfing was a part of culture.

Then I started to do furniture and interiors for a friend and just to get stuff in a magazine, and then slowly started to build up and started to doing exhibitions.

People kind of tend to mystify design and architecture by suggesting you need to train.

I don't have any furniture of mine in my room.

Design schools are good, I guess, sometimes I visit schools, but they are very very limiting.

To create well I have to be in a good mood, happy and cool.

If somebody asked me about my inspiration I would say that it's not the peopleand it's not the things, it's travel and experiencing different environments.

I was much more interested in making things than in designing them.

I'd love to be approached to do ordinary things more.

I don't like to make my life like a book.

Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.

So if I design it and then go away, it's still living somewhere and it still exists by itself without me.

If you see something that you feel is familiar it gives you an important kind of emotional connection.

If I can feel freedom then I can create.

You know that's history, that's why some people say that my stuff is retro, but I don't agree.

I've always listened to a lot of film music, actually.

But to me, to be original is to be yourself.

So if I want to buy a light in a shop and I don't find a light that I like, I think to myself what would I like? What would I like to buy? Then I started to imagine and design it for myself a lot of the time.

I made some salt and pepper shakers a while back and waited three years for them to come.

In Japan, Australia, and England there is such a strong youth culture.

Now I'm doing more snowboarding but I have to get back into surfing again.

In addressing a task, one almost always has several possible options, sometimes only a few, and they may all be practical and functional. But they lack the aesthetic aspect that raises it to architecture.

People can inhabit anything. And they can be miserable in anything and ecstatic in anything. More and more I think that architecture has nothing to do with it. Of course, that's both liberating and alarming.

The organizational architecture is really that a centipede walks on hundred legs and one or two don't count. So if I lose one or two legs, the process will go on, the organization will go on, the growth will go on.

The intellectual architecture means focusing on doing great work instead of focusing on agency politics.

Architecture is not an inspirational business, it's a rational procedure to do sensible and hopefully beautiful things; that's all.

The new architecture of transparency and lightness comes from Japan and Europe.

Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.

All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.

My interest in architecture has always been sculptural. Most of my photography is of architecture.

I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

I studied architecture in New York. So, really I was very moved, like everyone else, to try to contribute something that has that resonance and profundity of it means to all of us.

Architecture in general is frozen music.

But those musics do not address the larger kind of architecture in time that classical music does, whatever each one of us knows that classical music must mean.

To create architecture is to put in order. Put what in order? Function and objects.

The team architecture means setting up an organization that helps people produce that great work in teams.

French architecture always manages to combine the most magnificent underlying themes of architecture; like Roman design, it looks to the community.