You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.

The big companies are like, It's so good but we don't know how to market it.

You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.

There's an easygoing nature that comes with a perspective of things that aren't as important as we make them sometimes.

I keep every script from every film that I ever made because it's like a workbook of that time in my life.

Parents are your teachers until a certain point, and if they don't give you love, you'll go somewhere else to find it.

Tough love - I'm kind of weary of that. I don't think it's so effective.

You definitely want to do the little films. They're always going to be harder, but you don't do them to make money. You do them so you can see what you can make with the research that you have.

I'm doing my work in an environment that's ultimately about dollars and cents.

Miramax can buy a small independent movie that isn't very good, but because it has great relationships with different theaters, it can get into a big theater.

The story follows the whole family. But pretty much all the characters who are in jail have written a book about it, so you've got their perspective of it, however skewed they want you to see it.

I'm more of like a recreational surfer, not a consist surfer. Some people get out every week or every day.

The sun would come up over the ocean, and we'd be eating scrambled eggs before we shot some stuff. It was a vacation in the sense that it was the best working conditions.

High school, you don't want to go back and do it over again.

Every single day of making a movie is going to bring new problems.

We started out as far to the left as we could.

I didn't need clothes. I was allowed the opportunity to act out moments you don't get the opportunity to experience in your own life, let alone as a character in a film. I didn't feel naked.

In a lot of formats, you can be really experimental and see what would happen.

We had two cameras, so they could turn it on and shoot as much as we wanted. You don't have to worry about wasting money on film. A lot more takes are possible.

I'm most interested in working and learning from different people and telling good stories.

We had a script that was really solid and we knew how we were going to shoot and how the energy of it was going to go. So it gave us a lot of freedom to use the camera as a character.

I love vampire movies. I think they are sexy.

I like working in any medium. Who's making it? How much do I like the story? Does it contribute something?

I was put on a surfboard by a cute boyfriend in high school.

It's hard to make something collaboratively. That's the challenge. Sometimes you're successful.

I got to work with Gene Hackman for six weeks, side by side, 12 hours a day.

High school you dont want to go back and do it over again.

In the 1950s in Columbia, South Carolina, it was considered OK for kids to play with weird things. We could go to the hardware store and buy 100 feet of dynamite fuse.

You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.

I also taught myself how to blow glass using a propane torch from the hardware store and managed to make some elementary chemistry plumbing such as tees and small glass bulbs.

Thompson and Ritchie were among the first to realize that hardware and compiler technology had become good enough that an entire operating system could be written in C, and by 1978 the whole environment had been successfully ported to several machines of different types.

We are not intimidated by the size of the armies, or the type of hardware the US has brought.

So when we go into a large hardware bid, there is usually a services component that is part of that. So as we enter these deals, we tend to talk about the capabilities and what else needs to be done, and from there the bid might expand beyond hardware to the services.

My background is in hardware design. I found hardware work to be a welcome change from thousands of hours of programming and that led to the designs you mentioned.

In designing hardware to be used every day, it was important to keep both the human aspects and the machine in mind. What looks good also often feels good.

With bundled machines you can throw away the hardware and keep the software, and it's still a good buy.

It's more about conception and touch and spirit and soul than whether my hardware was in place.

I don't worry about great visuals that they showed that weren't actually running on real hardware. It doesn't matter. Gamers don't make their purchase decisions based on movies that were shown in May for products that come out in March.

Hardware works best when it matters the least.

When I was quite young, she was working in a hardware store, so I grew up knowing about hardware.

Software comes from heaven when you have good hardware.

The fellow that owns his own home is always just coming out of a hardware store.

We have lost one shuttle for every 57 flights and that is not a good ratio. I do believe we need to continue space flights, but maybe we can follow the example of the Russians and use unmanned vehicles to transport hardware into space.

Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.

People who are really serious about software should make their own hardware.

I think that the most beautiful thing lately hasn't been in hardware or software per se but collaboration - the idea behind Napster, which uses the distributed power of the Internet as its engine.

When we get the final hardware, the performance is just going to skyrocket.

It's hardware that makes a machine fast. It's software that makes a fast machine slow.

The hardware manufacturers, game designers, cable companies and computer companies and, in fact, film studios are going to ensure that this thing marches on. They know that they are going to make an enormous amount of money from it.