Mark Strand

But I tend to think of the expressive part of me as rather tedious - never curious or responsive, but blind and self-serving.

And yet, in a culture like ours, which is given to material comforts, and addicted to forms of entertainment that offer immediate gratification, it is surprising that so much poetry is written.

I would say that American poetry has always been a poetry of personal testimony.

The future is always beginning now.

Once you start describing nothingness, you end up with somethingness.

Poetry is, first and last, language - the rest is filler.

I think the best American poetry is the poetry that utilizes the resources of poetry rather than exploits the defects or triumphs of the poet's personality.

And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.

I am not concerned with truth, nor with conventional notions of what is beautiful.

Nothing is the destiny of everyone, it is our commonness made dumb.

And Robert Lowell, of course - in his poems, we're not located in his actual life. We're located more in the externals, in the journalistic facts of his life.

Poetry is something that happens in universities, in creative writing programs or in English departments.

It's very hard to write humor.

I certainly can't speak for all cultures or all societies, but it's clear that in America, poetry serves a very marginal purpose. It's not part of the cultural mainstream.

It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.

There's a certain point, when you're writing autobiographical stuff, where you don't want to misrepresent yourself. It would be dishonest.

From the reader's view, a poem is more demanding than prose.

I tend to like poems that engage me - that is to say, which do not bore me.

A great many people seem to think writing poetry is worthwhile, even though it pays next to nothing and is not as widely read as it should be.

I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language itself imposes.

Each moment is a place you've never been.

Usually a life turned into a poem is misrepresented.

The number of people writing poems is vast, and their reasons for doing so are many, that much can be surmised from the stacks of submissions.

For some of us, the less said about the way we do things the better.

Pain is filtered in a poem so that it becomes finally, in the end, pleasure.

A life is not sufficiently elevated for poetry, unless, of course, the life has been made into an art.