A life is not sufficiently elevated for poetry, unless, of course, the life has been made into an art.

But I tend to think of the expressive part of me as rather tedious - never curious or responsive, but blind and self-serving.

And yet, in a culture like ours, which is given to material comforts, and addicted to forms of entertainment that offer immediate gratification, it is surprising that so much poetry is written.

I would say that American poetry has always been a poetry of personal testimony.

The future is always beginning now.

Poetry is, first and last, language - the rest is filler.

I think the best American poetry is the poetry that utilizes the resources of poetry rather than exploits the defects or triumphs of the poet's personality.

And at least in poetry you should feel free to lie. That is, not to lie, but to imagine what you want, to follow the direction of the poem.

I am not concerned with truth, nor with conventional notions of what is beautiful.

Nothing is the destiny of everyone, it is our commonness made dumb.

And Robert Lowell, of course - in his poems, we're not located in his actual life. We're located more in the externals, in the journalistic facts of his life.

Poetry is something that happens in universities, in creative writing programs or in English departments.

It's very hard to write humor.

I certainly can't speak for all cultures or all societies, but it's clear that in America, poetry serves a very marginal purpose. It's not part of the cultural mainstream.

It hardly seems worthwhile to point out the shortsightedness of those practitioners who would have us believe that the form of the poem is merely its shape.

There's a certain point, when you're writing autobiographical stuff, where you don't want to misrepresent yourself. It would be dishonest.

From the reader's view, a poem is more demanding than prose.

I tend to like poems that engage me - that is to say, which do not bore me.

A great many people seem to think writing poetry is worthwhile, even though it pays next to nothing and is not as widely read as it should be.

I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language itself imposes.

Each moment is a place you've never been.

Usually a life turned into a poem is misrepresented.

The number of people writing poems is vast, and their reasons for doing so are many, that much can be surmised from the stacks of submissions.

For some of us, the less said about the way we do things the better.

Pain is filtered in a poem so that it becomes finally, in the end, pleasure.

A life is not sufficiently elevated for poetry, unless, of course, the life has been made into an art.

Once you start describing nothingness, you end up with somethingness.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.