I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.

Never underestimate a child's ability to get into more trouble.

To be able to get up and be in my studio and work all day is a great joy.

It really is a day job, and it also seems to have virtually disappeared-with no remorse, really. It gives me more time to paint.

It seems like the opportunity just increases exponentially. There doesn't seem to be much stopping.

You'd be surprised at how undemanding acting is.

I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.

It was taunted as reality. It was dangled as a carrot. In terms of people's hopes and dreams, to say that that is less of a reality than the daily grind they find themselves in is maybe not correct.

Around 1980, I went back to painting with a vengeance.

I don't think you really can send an exact message, because any two viewers are so disparate, in terms of their backgrounds, their point of view, their histories, that there's no telling what that message might be.

I had a teacher in art school who said something about the only works he really enjoyed seeing or found much in were works where he had a sense that a discovery was made in the course of making this object. I like to hold to that as my marching orders.

I never stopped making pictures. There were times when more of my income was coming from other sources, and I had to devote more time to television and movies and records.

Having children is like having a bowling alley installed in your brain.

It's hard to decide if TV makes morons out of everyone, or if it mirrors Americans who really are morons to begin with.

A cult following is a nice way of saying very few people like you.

Having a family is like having a bowling alley installed in your head.

The trouble with jogging is that the ice falls out of your glass.

If there is some art involved, I'd like it to be that it came through the cracks of daily work.

I've always had a certain fascination. It's basically paint what you know, and this is what I grew up with.

I try to not get to the point where one is making wallpaper, or simply painting money. I want to make sure that I am at least trying to weigh myself down, that there's a challenge each time.

Show business is just like high school, except you get paid.

You'd have to think that you're at least decent, or you couldn't get up every morning and do it. I think if I live long enough, I might be pretty good.

Some of the pictures I must say every now and then I just think are going to be funny. When it gets that much, you might as well just pull out all the stops and make it more of a burlesque.

I've been doing it all along, ever since I got out of art school.

I kind of just lucked into and fell into the other profession. It was really just an outgrowth of the fact that when I was in art school, I had no money whatsoever.

It was taunted as reality. It was dangled as a carrot. In terms of peoples hopes and dreams to say that that is less of a reality than the daily grind they find themselves in is maybe not correct.

The town where I grew up has a zip code of E I E I O.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.