I've been doing it all along, ever since I got out of art school.

Never underestimate a child's ability to get into more trouble.

To be able to get up and be in my studio and work all day is a great joy.

It really is a day job, and it also seems to have virtually disappeared-with no remorse, really. It gives me more time to paint.

It seems like the opportunity just increases exponentially. There doesn't seem to be much stopping.

You'd be surprised at how undemanding acting is.

I think there are a lot of pictures to make. I sometimes question whether I'm even an artist or just a painter. To me, the making of the pictures is the most important thing.

It was taunted as reality. It was dangled as a carrot. In terms of people's hopes and dreams, to say that that is less of a reality than the daily grind they find themselves in is maybe not correct.

Around 1980, I went back to painting with a vengeance.

I don't think you really can send an exact message, because any two viewers are so disparate, in terms of their backgrounds, their point of view, their histories, that there's no telling what that message might be.

I had a teacher in art school who said something about the only works he really enjoyed seeing or found much in were works where he had a sense that a discovery was made in the course of making this object. I like to hold to that as my marching orders.

I never stopped making pictures. There were times when more of my income was coming from other sources, and I had to devote more time to television and movies and records.

Having children is like having a bowling alley installed in your brain.

It's hard to decide if TV makes morons out of everyone, or if it mirrors Americans who really are morons to begin with.

A cult following is a nice way of saying very few people like you.

Having a family is like having a bowling alley installed in your head.

The trouble with jogging is that the ice falls out of your glass.

If there is some art involved, I'd like it to be that it came through the cracks of daily work.

I've always had a certain fascination. It's basically paint what you know, and this is what I grew up with.

I try to not get to the point where one is making wallpaper, or simply painting money. I want to make sure that I am at least trying to weigh myself down, that there's a challenge each time.

Show business is just like high school, except you get paid.

You'd have to think that you're at least decent, or you couldn't get up every morning and do it. I think if I live long enough, I might be pretty good.

Some of the pictures I must say every now and then I just think are going to be funny. When it gets that much, you might as well just pull out all the stops and make it more of a burlesque.

I've been doing it all along, ever since I got out of art school.

I kind of just lucked into and fell into the other profession. It was really just an outgrowth of the fact that when I was in art school, I had no money whatsoever.

It was taunted as reality. It was dangled as a carrot. In terms of peoples hopes and dreams to say that that is less of a reality than the daily grind they find themselves in is maybe not correct.

The town where I grew up has a zip code of E I E I O.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.