What is more important is finding the soul of the character, and making sure it fits well into this story. And that it be dramatic and interesting and captivating, because these people weren't entertainers, you know.

You know, in playing a role like this, you really want to get it right, because this is a person who was revered by so many doctors, women doctors especially.

What is more important is finding the soul of the character, and making sure it fits well into this story. And that it be dramatic and interesting and captivating, because these people weren't entertainers, you know.

In this case they're doctors. But having passion for your work and to take risks in order to better human kind. That's a pretty big theme. It's pretty inspiring.

I'd like to think Helen very much understood what it was to be disadvantaged in the medical field. And that that was something that she never let dictate her choices.

Just the actual physical ability to hold four instruments simultaneously and do some of the things that Vivien was able to do is mind blowing to any surgeon. He never went to medical school and he became one of the great teachers of medicine himself, people are just amazed.

And that's what's beautiful to me, is he did not become a victim of it, and he didn't become a statistic, he just kind of kept on marching through, no matter what people threw at him.

I guess you should approach the roles differently when they're actual people who have been, this is the difference. Getting the accent exact, or the hair exact is less important in a situation like this.

I think she looked at Vivien the same way. Of course you can. You know. And, and yet with great respect, because she knew how hard it must have been. And that it was even harder for him, of course, than for her.

On the other hand, there are only so many people who really knew how she was exactly, like what did her accent sound like, and the fact that she developed profound deafness when she was first running the Harriet Lane.

The fact that he didn't get credit for a while is more the story of social injustice. But his own spirit wasn't driven by that, and wasn't dependent upon that. He just wished he had the cash to go to medical school.

She came up with a whole way of doing fluoroscopy, which is kind of like a live version of X-ray, so that she could see the heart as it worked, not frozen in a picture.

As a director, I get to have a much broader creative expression than as an actress.

I don't read reviews, There's no value for me in reading them. Whether they're good or bad, they'll just make me self-conscious.

I feel very privileged that I get to spend my life telling stories that mean something to people.

I learn a lot from acting, but it's not my natural way. I can't help but write; I do it all the time. It's a condition of being for me.

I learned from Francis Ford Coppola to treat the company like your family.

I love film sets, but I don't necessarily love being the center of attention.

I think I am a writer, but professionally I feel drawn to and suited for directing.

Since I was a child, I've liked telling stories. Maybe because my father's a director, I grew up loving stories. I'm not good at spinning them at a dinner table because I do go on a bit, but I love writing them, and directing is just a way of editing the story.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I didn't want to be greedy. It's a mark of bad character and I always believed that pigs go the slaughterhouse.

The analysis of character is the highest human entertainment.

Love is the expression of one's values, the greatest reward you can earn for the moral qualities you have achieved in your character and person, the emotional price paid by one man for the joy he receives from the virtues of another.

To have an opportunity to make a movie like Cabin Fever, you have to get stuff thrown on you or you have to fall into a pit of water. It brings you that much closer to your mindset as a character.