Music is half the film.

Some people are directors and I think they should stay behind the camera.

I think movies glamorize violence, in the sense that they make it in a way that it's either cool or funny.

I'm a big believer that it doesn't matter what you call your company, nobody ever notices.

And writing I think is a gift that you have, the same as acting, in a way.

I'll never be a good writer, and no chance of being a good actor.

I like doing as many special effects in camera, as much as possible.

Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.

I think you should make a movie that has an audience.

I think music is what takes the experience off the screen into your soul, into your head.

It's a juggernaut, yeah... but I'm not phased by making movies.

I had a philosophy, which may have been proven right, that directing isn't as hard as everyone says it is.

You need cliches. Cliches are what people respond to.

So I am concerned about the amount of time we have to make it, cause it doesn't matter how much money you have, you can't create more time.

People just want to watch movies that are entertaining, it doesn't matter what genre it is.

Cliches are what make you understand something.

You can't please everyone... If you make a good movie, that's all that matters.

I'm a Star Wars fanatic.

So I think I sometimes will put a cliche in and then just pad it out so you're not noticing.

I'm as conservative as they come.

Music is half the film.

I will never sign anything which makes me have to do more than one film.

I like the idea of making big budget films with a heart. I like graphic novels more than comic books.

What I learned very quickly is that if you get it right in the first two or three takes, it's not going to get that much better.

I'm not a member of a minority but I can empathize with what's going on.

Crime, money, power, drugs - are all linked.

I like the X-Men, otherwise I wouldn't be doing it.

You either ignore the comic book and make a great movie or you stay very close to the comic book.

I think there's a time in your life where you don't feel like you fit in. I think everyone has that when you're a teenager, especially, and especially in the society we live in.

I think it's easier to make a film with 200 million dollars than 960 grand.

If it's scary, it's supposed to be scary. If it's funny, it's supposed to be funny. That's all I try to do.

If you do something that's different and quirky and original, it takes time for people to figure it out.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.