I just think the word interview, although it is the view between two people exchanged, became a sort of cliche. You ask questions and the other one answers.

A conversation goes sometimes into personal things and that's nicer. You look to each other and you have a different picture, you get into a relationship.

Except here it's more power, more energy, younger and also in Europe it's still not only entertainment. Theater or films are looked at as a moral institution. That's why maybe they're so poetic. Here it's clear entertainment.

The interesting thing is that I found scenes which I put together which could appeal to almost every woman, or apply to almost every woman after the war. Falling in love, dancing, marrying.

I never played the right roles, or very rarely got the right roles offered, except on stage.

I did have fun, for example, in The Black Hole which was very popular among youngsters.

First love is first love, first marriage is first marriage, disappointment is disappointment.

And in reality, I don't think it's a real documentary. It's more a story of her life. It's a story of survival. It's a story of the time in which she lived. The story of success and failure.

I'm always happy when I'm left alone, but if somebody comes and is nice, then we talk.

I played piano, I learned a lot about music.

I think there's a poet who wrote once a tragedy by Shakespeare, a symphony by Beethoven and a thunderstorm are based on the same elements. I think that's a beautiful line.

We should never forget that Hollywood was built by Europeans, and the old Jewish boys from Eastern Europe.

I just think the word interview, although it is the view between two people exchanged, became a sort of cliche. You ask questions and the other one answers.

Well, I did Marlene 15 years ago and that's in the style. It's somehow similar and not similar because Marlene was much more aggressive, funny and sad.

And it's interesting, but I'm always interested in the story behind the story.

Music in this film is a very important part.

As an actor, I was a fantastic rebel. Then I became a directorial rebel and understood rebels from both sides. So now I am a friend who gives advice - not one who knows more, necessarily, but who shares ideas.

Directing is like meeting a woman. You don't know her, but something strikes you, and then you just have to go into it.

Everything you do has certain significance, a certain weight. I think there is a film in everyone.

I am America's number-one fan. I like your food. Especially corn flakes.

I'll never forget Spencer Tracy. He only worked from nine to one - then from three to five again.

My mother was an actress and a director, as well. And my father was a playwright and poet.

To be honest, I don't think I'm an actor. I'm a creator - or try to be.

When I was a young actor, in my first apartment, the first thing I bought was a Steinway piano. There was no bed at first. I slept on the floor.

When you have the cast, the sets, the lights, an opera takes on its own life. I'm not one of those directors who marches in with a set of plans.

People don't want to be plagued by not knowing-they want answers.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

I wish I knew at 14 not to put much thought into what other people my age said to me, cause we were all looking for the answers. So I wish I knew that other people really don't know any more than you do!

Einstein was a man who could ask immensely simple questions. And what his work showed is that when the answers are simple too, then you can hear God thinking.

The uncreative mind can spot wrong answers, but it takes a very creative mind to spot wrong questions.

To play a good guy is nice because in a way, he is so open for answers.

Some people think technology has the answers.

Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking.

Nature puts no question and answers none which we mortals ask. She has long ago taken her resolution.

The only interesting answers are those that destroy the questions.

Real answers need to be found in dialogue and interaction and, yes, our shared human condition. This means being open to one another instead of simply fighting to maintain a prescribed position.

This story, I predict, will grow to be worse than Watergate. The American people need to have the answers.

By the time the people asking the questions are ready for the answers, the people doing the work have lost track of the questions.

I was asking Charlie the most important questions, and you heard the answers.

There are many who lust for the simple answers of doctrine or decree. They are on the left and right. They are not confined to a single part of the society. They are terrorists of the mind.

You need to make a commitment, and once you make it, then life will give you some answers.

I think it does suggest that the American people really do want to listen to somebody who actually has some solutions, some answers, and gives them some hope.

We don't know all the answers. If we knew all the answers we'd be bored, wouldn't we? We keep looking, searching, trying to get more knowledge.

That's where I began to ask questions that maybe don't have one specific answer. And the more people you get answers from, the richer the environment becomes.

One of the things that is wrong with religion is that it teaches us to be satisfied with answers which are not really answers at all.

There is no such thing as an unreasonable question, or a silly question, or a frivolous question, or a waste-of-time question. It's your life, and you've got to get these answers.

Tintinnabulation is an area I sometimes wander into when I am searching for answers - in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning.

When the media ask George W. Bush a question, he answers, 'Can I use a lifeline?'

In addition to demanding answers and accountability from the Veterans Administration, Congress had to act to ensure veterans do not suffer because of the actions of a federal agency.