A lot of the greatest compositions were made famous by Sinatra.

I love songwriting. It's second to my love for singing in how I express myself.

Sinatra, here's a guy who plays a tough guy in all his movies, but was allowed to be vulnerable when he stepped up to the microphone.

Whoever best serves the song is going to be served by the song.

For years I've kept a list of dream projects.

It's understanding the intention of a composer that allows a producer and an arranger to make those moments speak.

You're presuming too much by using the word legacy - presuming that someone is going to care.

We used to call it recurrent airplay when someone had a hit.

Black music has increased my enjoyment of what I do. It has increased my range, my ability to reach into myself and accept myself.

A lot of my success comes from black music. It's something I'm very proud of.

There are certain people who have become better artists, but they're brilliant at marketing. I think someone who's been phenomenal like that is Madonna.

You can't make everybody love what you do, but you can know how great you feel doing it.

It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.

I have friends who've tried to break into the UK, who went back with their tails between their legs. Fortunately I've had the opposite experience.

No matter how great we get with digital formats of instrumentation, nothing really quite duplicates the real thing.

Dr. King is so inspiring, so impressive, so moving as a human being.

I'm proud of my mentors. Ray Charles is the strongest influence on me as a singer.

The Top 40 is geared toward 20 and under, not 20 and up. That's the audience I'm geared to.

The whole industry evolves around a great song.

To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing.

I was blown away by the control and the range that I was hearing. I'm listening to Pavarotti and thinking, What the hell have I been doing with my voice all these years?

It's an important thing to remember where you came from.

When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song.

When I started studying for the arias it was like going into training for a heavyweight title fight.

A lot of the greatest compositions were made famous by Sinatra.

I have to be happy in the here and now because every time you start focusing on your legacy you're really setting yourself up for disappointment.

With the internet, things are so much more immediate. People taste-test things to see if they want to buy the CD.

The bigger you are, the harder they come down on you.

I kept looking to do songs that were written years ago and would live or outlive all of us, and the one thing they had in common was Sinatra.

When I was invited to sing with Pavarotti, I had about two weeks to learn Italian.

Someone told me there was a publisher that could find a good home for my songs, but I didn't want to give up my pursuit of a career in the business as an artist.

Considering the amount of information we're bombarded by, it's amazing if a song can transcend time.

One song will launch you, but you don't want to be a one-song artist.

On singing in the swimming pool: "If I can move the water, I can move the people."

I don't like being recognised, I have no interest in being famous at all, I just do what I do. If I could be like Captain Kirk and beam myself up and then beam myself down, I would!

The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous, not commercially exploited, and no longer available as a result.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

The people I want are very famous and very rich, and all I can offer them is a bit of exposure on TV and a bit of cash, so it's a miracle we get any guests at all. But we have been very lucky.

When I was a kid, the idea of why I wanted acting to be the thing I do for the rest of my life was different. It was, Oh yeah, I'll get girls and be famous.

I don't want to be famous famous. I'm happy on the second tier, where I have autonomy on a professional level but I can still go out to the movies without being recognized.

To be famous and broke is hard.

Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.

I fear that, in the end, the famous debate among materialists, idealists, and dualists amounts to a merely verbal dispute that is more a matter for the linguist than for the speculative philosopher.

Well I would say that we're regular people first of all and we're normal and it's obvious by some of the things that have happened just because our name is famous we're not immune to tragedy.

People are much more inclined to believe and say bad things about you if you're famous.

I don't want to be famous as a movie star and have the whole world love me, I want to be a creative actress.

I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen.

Those who have known the famous are publicly debriefed of their memories, knowing as their own dusk falls that they will only be remembered for remembering someone else.

People hate me because I am a multifaceted, talented, wealthy, internationally famous genius.