For years I've kept a list of dream projects.

I love songwriting. It's second to my love for singing in how I express myself.

Sinatra, here's a guy who plays a tough guy in all his movies, but was allowed to be vulnerable when he stepped up to the microphone.

Whoever best serves the song is going to be served by the song.

For years I've kept a list of dream projects.

It's understanding the intention of a composer that allows a producer and an arranger to make those moments speak.

You're presuming too much by using the word legacy - presuming that someone is going to care.

We used to call it recurrent airplay when someone had a hit.

Black music has increased my enjoyment of what I do. It has increased my range, my ability to reach into myself and accept myself.

A lot of my success comes from black music. It's something I'm very proud of.

There are certain people who have become better artists, but they're brilliant at marketing. I think someone who's been phenomenal like that is Madonna.

You can't make everybody love what you do, but you can know how great you feel doing it.

It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.

I have friends who've tried to break into the UK, who went back with their tails between their legs. Fortunately I've had the opposite experience.

No matter how great we get with digital formats of instrumentation, nothing really quite duplicates the real thing.

Dr. King is so inspiring, so impressive, so moving as a human being.

I'm proud of my mentors. Ray Charles is the strongest influence on me as a singer.

The Top 40 is geared toward 20 and under, not 20 and up. That's the audience I'm geared to.

The whole industry evolves around a great song.

To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing.

I was blown away by the control and the range that I was hearing. I'm listening to Pavarotti and thinking, What the hell have I been doing with my voice all these years?

It's an important thing to remember where you came from.

When you have great songs that are going to live longer than the composers, everything you can do to bring those different elements and nuances out, serve the song.

When I started studying for the arias it was like going into training for a heavyweight title fight.

A lot of the greatest compositions were made famous by Sinatra.

I have to be happy in the here and now because every time you start focusing on your legacy you're really setting yourself up for disappointment.

With the internet, things are so much more immediate. People taste-test things to see if they want to buy the CD.

The bigger you are, the harder they come down on you.

I kept looking to do songs that were written years ago and would live or outlive all of us, and the one thing they had in common was Sinatra.

When I was invited to sing with Pavarotti, I had about two weeks to learn Italian.

Someone told me there was a publisher that could find a good home for my songs, but I didn't want to give up my pursuit of a career in the business as an artist.

Considering the amount of information we're bombarded by, it's amazing if a song can transcend time.

One song will launch you, but you don't want to be a one-song artist.

On singing in the swimming pool: "If I can move the water, I can move the people."

There are those, I know, who will reply that the liberation of humanity, the freedom of man and mind, is nothing but a dream. They are right. It is. It is the American Dream.

Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

In fact I have nightmares about having children. I want to carry a baby and feel the life within me and in my dream, I do. But every time after it's born, there's this incredible fear, this pounding pulse of fear. It's a real bad nightmare.

I dream of the realization of the unity of Africa, whereby its leaders combine in their efforts to solve the problems of this continent. I dream of our vast deserts, of our forests, of all our great wildernesses.

It's not the size of the dreamer, it's the size of the dream.

Christianity is a battle not a dream.

Lately, I can't shake the feeling that I've been living a dream for the last 10 years or so; I can't account for most of my 20s, and I have to continually remind myself that certain people are dead now and many of my friends have children.

If you stop and think about our history, one of the reasons we had an American century and there is an American dream was because at key points in our history we made very bold decisions about making sure that there was very broad, universal access to quality education.

My secret dream is to write an epic poem. That's probably the most pretentious thing I've said.

I have played for 15 years and it has been a dream.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

It's been President Clinton's dream that we'll have finally a fully integrated Europe.

My dream is to save women from nature.

A man's moral conscience is the curse he had to accept from the gods in order to gain from them the right to dream.