It's what the Iraqi people are going through right now. They have encountered a victorious, hostile force-but, you know, there they still are. There their culture is, there their history is, they're not going anywhere.

It's clear that people are going to download media files, and they're going to talk to each other, and they're going to exchange information and knowledge and so forth. So this system logic is basically what you bounce off of.

People recognize intellectual property the same way they recognize real estate. People understand what property is. But it's a new kind of property, and so the understanding uses new control surfaces. It uses a new way of defining the property.

It's important to be precise about words, because of the thought value of them-they frame and shape so much of the way we understand things.

Linear thinking typifies a highly developed industry. It starts to get these patterns built into it somehow. I'm not sure how that happens, but certainly you take a look at dinosaurs.

The only people who steal are thieves, and that's a very small percentage of civilization. Most people want to have some way to make the economic transaction valid. They want to return the favor, if you will... return the benefit and reciprocate.

It's what the Iraqi people are going through right now. They have encountered a victorious, hostile force-but, you know, there they still are. There their culture is, there their history is, they're not going anywhere.

Wealth, in terms of dollars and so forth, could be counted up, because dollars were finite. It doesn't make any difference how many dollars you have-at a certain point you only have dollars. You start with finite, you end with finite.

I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.

Some ways of using our thinking are really inspiring. There are people who use their thinking to race cars. People use their thinking to build rockets to the moon. It's all just a use of your thinking.

As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.

There's a certain logic to systems, and that logic is fairly self-evident. It's very straightforward, usually. It might take a little research, it might take a little bit of industry to prize it out, but it's there to be seen.

You have to have access to ideas. The Internet is facilitating that access to ideas. In 25 years, the way that data's going to flow back and forth, we don't quite understand yet.

The Internet provides the access to resources, so it's incumbent upon the people who control those resources to make sure that the economic engine stays intact.

The rock sitting on the shelf has potential because it can fall-it's the same way with the Internet. It has this potential. It's not really doing it yet, but it's about to.

Buzzwords and cliches - those are stock in trade. There's nothing wrong with them.

There is a certain logic to events that pushes you along a certain path. You go along the path that feels the most true, and most according to the principles that are guiding you, and that's the way the decisions are made.

Interviews are usually a follow-up, like a press junket or a publicity junket, or something like that, and I'm not doing any of that right now. I don't have any axes to grind.

I haven't been out in the marketplace in a while. I'm thinking about going back into it. I've got some things set up over the next couple of months just to go and see. But I have no idea what the specific way to a solution is anymore. It's mysterious to me.

I don't quite know what a record is anymore. I don't quite know how to describe it. Don't know how to define it yet, so I'm just letting it gestate, and grow and see if maybe I'll get a better sense of what a record is.

Typically what happens is, somebody drags an idea from the past that worked in an old set of logics that they try to apply to the new one. And it doesn't work.

Now, DVD can represent more income than the box office-and typically does.

Once the smoke of the market crash clears off, you know, the Internet will pick back up and go. Take a look at what's happening to some of the big companies like eBay and Yahoo, the publicly traded stocks. You know, they're all coming back up off the mat now.

There's this notion that allows people to create their own collection of songs, so it rewrites what a song is. They may only want 10 seconds of something, or they may only want this particular song, or they want this group of songs. It becomes much more user-controlled.

I coined a word the other day, but I forgot what it was. It was a good one, it came to me in a dream.

I never feel like I have to hang on to the music. I don't expect that the music will go away. Ideas are the only thing I can point to that are permanent and fixed.

I'm not performing now. What I do now is listen to music all day long. Listening is very nourishing to me. I might go back to perform, I might make another record. I've got a record half finished.

Multimedia scares me off.

You don't have to fight against being placed in a box any more than the number two has to fight against being the number three. I mean, two is not going to be the number three, ever.

There are more honest people and more good people than there are thieves and bad people. It's just always been that way.

Just because you can thrill a toddler by chewing with your mouth open doesn't mean you should.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

Mr. Speaker, genocide is the most potent of all crimes against humanity because it is an effort to systematically wipe out a people and a culture as well as individual lives.