I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.

It's clear that people are going to download media files, and they're going to talk to each other, and they're going to exchange information and knowledge and so forth. So this system logic is basically what you bounce off of.

People recognize intellectual property the same way they recognize real estate. People understand what property is. But it's a new kind of property, and so the understanding uses new control surfaces. It uses a new way of defining the property.

It's important to be precise about words, because of the thought value of them-they frame and shape so much of the way we understand things.

Linear thinking typifies a highly developed industry. It starts to get these patterns built into it somehow. I'm not sure how that happens, but certainly you take a look at dinosaurs.

The only people who steal are thieves, and that's a very small percentage of civilization. Most people want to have some way to make the economic transaction valid. They want to return the favor, if you will... return the benefit and reciprocate.

It's what the Iraqi people are going through right now. They have encountered a victorious, hostile force-but, you know, there they still are. There their culture is, there their history is, they're not going anywhere.

Wealth, in terms of dollars and so forth, could be counted up, because dollars were finite. It doesn't make any difference how many dollars you have-at a certain point you only have dollars. You start with finite, you end with finite.

I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.

Some ways of using our thinking are really inspiring. There are people who use their thinking to race cars. People use their thinking to build rockets to the moon. It's all just a use of your thinking.

As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.

There's a certain logic to systems, and that logic is fairly self-evident. It's very straightforward, usually. It might take a little research, it might take a little bit of industry to prize it out, but it's there to be seen.

You have to have access to ideas. The Internet is facilitating that access to ideas. In 25 years, the way that data's going to flow back and forth, we don't quite understand yet.

The Internet provides the access to resources, so it's incumbent upon the people who control those resources to make sure that the economic engine stays intact.

The rock sitting on the shelf has potential because it can fall-it's the same way with the Internet. It has this potential. It's not really doing it yet, but it's about to.

Buzzwords and cliches - those are stock in trade. There's nothing wrong with them.

There is a certain logic to events that pushes you along a certain path. You go along the path that feels the most true, and most according to the principles that are guiding you, and that's the way the decisions are made.

Interviews are usually a follow-up, like a press junket or a publicity junket, or something like that, and I'm not doing any of that right now. I don't have any axes to grind.

I haven't been out in the marketplace in a while. I'm thinking about going back into it. I've got some things set up over the next couple of months just to go and see. But I have no idea what the specific way to a solution is anymore. It's mysterious to me.

I don't quite know what a record is anymore. I don't quite know how to describe it. Don't know how to define it yet, so I'm just letting it gestate, and grow and see if maybe I'll get a better sense of what a record is.

Typically what happens is, somebody drags an idea from the past that worked in an old set of logics that they try to apply to the new one. And it doesn't work.

Now, DVD can represent more income than the box office-and typically does.

Once the smoke of the market crash clears off, you know, the Internet will pick back up and go. Take a look at what's happening to some of the big companies like eBay and Yahoo, the publicly traded stocks. You know, they're all coming back up off the mat now.

There's this notion that allows people to create their own collection of songs, so it rewrites what a song is. They may only want 10 seconds of something, or they may only want this particular song, or they want this group of songs. It becomes much more user-controlled.

I coined a word the other day, but I forgot what it was. It was a good one, it came to me in a dream.

I never feel like I have to hang on to the music. I don't expect that the music will go away. Ideas are the only thing I can point to that are permanent and fixed.

I'm not performing now. What I do now is listen to music all day long. Listening is very nourishing to me. I might go back to perform, I might make another record. I've got a record half finished.

Multimedia scares me off.

You don't have to fight against being placed in a box any more than the number two has to fight against being the number three. I mean, two is not going to be the number three, ever.

There are more honest people and more good people than there are thieves and bad people. It's just always been that way.

Just because you can thrill a toddler by chewing with your mouth open doesn't mean you should.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.