I see the poem or the novel ending with an open door.

Truth, at the wrong time, can be dangerous.

You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel.

I'm a Canadian citizen. But I always want to feel at home in Sri Lanka. I'm a member of both countries.

You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.

As a writer, one is busy with archaeology.

I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.

The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.

When you're writing, it's as if you're within a kind of closed world.

You want to suggest something new, but at the same time, resolve the drama of the action in the novel.

I see the poem or the novel ending with an open door.

In the book the relationship with Katharine and Almasy is sort of only in the patient's mind.

Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity.

Research can be a big clunker. It's difficult to know how you can make the historical light.

It's an odd state to be in, blowing the whistle on your home country.

The past is still, for us, a place that is not safely settled.

I don't have a plan for a story when I sit down to write. I would get quite bored carrying it out.

The last three books are much more a case of a moment of history, what happened almost by accident or coincidence, like being in the same elevator or lifeboat.

It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.

A writer uses a pen instead of a scalpel or blow torch.

It doubles your perception, to write from the point of view of someone you're not.

It's why you create characters: so you can argue with yourself.

I don't see novels ending with any real sense of closure.

That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes.

Right now, I have no idea what I will write or if I will write again.

To write about someone like myself would be very limiting.

It's a responsibility of the writer to get the reader out of the story somehow.

It doubles your perception to write from the point of view of someone youre not.

A love story is not about those who lost their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothing—not the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past.

For the first forty days a child is given dreams of previous lives. Journeys, winding paths, a hundred small lessons and then the past is erased.

You are not a beautiful, unique snowflake... This is your life, and it's ending one minute at a time.

Pakistan has made no mention of ending our tests. We have a missile program, and it is in the national interest whatever we want to do.

Death doesn't frighten me; now I can think peacefully of ending a long life.

Love is life's end, but never ending. Love is life's wealth, never spent, but ever spending. Love's life's reward, rewarded in rewarding.

To come up with the ending to a story and then work backwards is like tying your shoe with one hand only.

I caution against beginning or ending a quotation with ellipses.

We expect President Bush to implement his own vision of a two-state solution, the birth of the Palestinian State and the ending of the occupation that started in 1967.

It's precisely the disappointing stories, which have no proper ending and therefore no proper meaning, that sound true to life.

I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.

What then is tragedy? In the Elizabethan period it was assumed that a play ending in death was a tragedy, but in recent years we have come to understand that to live on is sometimes far more tragic than death.

The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.

Laughter is not a bad beginning for a friendship, and it is the best ending for one.

A hard beginning maketh a good ending.

I felt Brighton was a perfect ending to a really interesting career.

Ending racial discrimination in jury selection can be accomplished only by eliminating peremptory challenges entirely.

Writing is truly a creative art - putting word to a blank piece of paper and ending up with a full-fledged story rife with character and plot.

It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.

My intent was to carry out my duty as a doctor, to end their suffering. Unfortunately, that entailed, in their cases, ending of the life.

Watergate provides a model case study of the interaction and powers of each of the branches of government. It also is a morality play with a sad and dramatic ending.