To write about someone like myself would be very limiting.

Truth, at the wrong time, can be dangerous.

You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel.

I'm a Canadian citizen. But I always want to feel at home in Sri Lanka. I'm a member of both countries.

You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.

As a writer, one is busy with archaeology.

I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.

The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.

When you're writing, it's as if you're within a kind of closed world.

You want to suggest something new, but at the same time, resolve the drama of the action in the novel.

I see the poem or the novel ending with an open door.

In the book the relationship with Katharine and Almasy is sort of only in the patient's mind.

Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity.

Research can be a big clunker. It's difficult to know how you can make the historical light.

It's an odd state to be in, blowing the whistle on your home country.

The past is still, for us, a place that is not safely settled.

I don't have a plan for a story when I sit down to write. I would get quite bored carrying it out.

The last three books are much more a case of a moment of history, what happened almost by accident or coincidence, like being in the same elevator or lifeboat.

It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.

A writer uses a pen instead of a scalpel or blow torch.

It doubles your perception, to write from the point of view of someone you're not.

It's why you create characters: so you can argue with yourself.

I don't see novels ending with any real sense of closure.

That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes.

Right now, I have no idea what I will write or if I will write again.

To write about someone like myself would be very limiting.

It's a responsibility of the writer to get the reader out of the story somehow.

It doubles your perception to write from the point of view of someone youre not.

A love story is not about those who lost their heart but about those who find that sullen inhabitant who, when it is stumbled upon, means the body can fool no one, can fool nothing—not the wisdom of sleep or the habit of social graces. It is a consuming of oneself and the past.

For the first forty days a child is given dreams of previous lives. Journeys, winding paths, a hundred small lessons and then the past is erased.

Just like the bones and muscles, the heart is designed to work in one gravity here on Earth, so when you put the heart in space, it operates differently and changes shape.

It's really challenging to play comedy.

A business of high principle attracts high-caliber people more easily, thereby gaining a basic competitive and profit edge.

Analysts may be correct that the presidential election won't primarily turn on entitlements reform, but by choosing Paul Ryan as his running mate, Mitt Romney can, contrary to conventional wisdom, make it a winning issue and lay the foundation for a reform mandate when he wins.

Goals may give focus, but dreams give power.

Instead of looking at life as a narrowing funnel, we can see it ever widening to choose the things we want to do, to take the wisdom we've learned and create something.

The thing I love about Rome is that is has so many layers. In it, you can follow anything that interests you: town planning, architecture, churches or culture. It's a city rich in antiquity and early Christian treasures, and just endlessly fascinating. There's nowhere else like it.

At my aunt's funeral, I promised myself that I wouldn't be bound by the belief that I'm supposed to stay in anything - whether it's a relationship, a job, a house, or a circumstance - if it makes me miserable. She gave me the courage to find my own happiness.

Said I was beautiful, did he? He's being paid for treatment, not flattery.

It is no good hearing an inner voice or getting an inner prompting if you do not immediately act on that inner prompting.

The state and its elites must be subject, in theory and in practice, to the same laws that its poorest citizens are.

Everywhere that freedom stirs, let tyrants fear.

If Columbus had an advisory committee he would probably still be at the dock.

The forest did not tolerate frailty of body or mind. Show your weakness and it would consume you without hesitation.

The best thing we can do is to make wherever we're lost in look as much like home as we can.

The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.

Science is a self-sufficient activity.

I can answer anything about any American pop culture song ever.

Common aim is stronger than blood.