I was doing Hamlet in the off-season, and I had a specific idea in my mind about what I wanted that character to look like, and because it's going to lead into the next year, I knew that it was going to have to be established somewhere in the show.

I've always found ways to bend the rules.

I couldn't be playing him for this long if I didn't like him.

By the end of last year we solved a lot of threads, and it's really good for this new way we're taking the show to really have these new people and these new energies, frankly.

With network shows, writers can be so protective of every syllable.

But I don't bet the farm on any of those possibilities, either. I'm also preparing, intelligently, to walk away from this, and walk away from it happy to have had the experience.

I think that you can take things personally or get hurt feelings as a result of something not working out just because your psyche said it should or you deserve it, or whatever it is.

I find directing more satisfying.

It's fun to play the character and then watch him later.

We never thought the show would last this long.

I was doing Hamlet in the off-season, and I had a specific idea in my mind about what I wanted that character to look like, and because it's going to lead into the next year, I knew that it was going to have to be established somewhere in the show.

It was nice, though, to have the long term benefit to be able to pare away those things and eventually make the character my own and put my own unique stamp.

There's a way about it: tearing people down, but not tearing them apart.

The environment on set is very encouraging.

There was concern whether SCI FI would want the show back with all the recent changes. But now, the changes have made it feel fresh, like starting over.

You know, if it doesn't work, we can always cut it.

In the meantime, I just have to create those realistic goals about the fact that I don't have a ton of options as an actor who's been on a science fiction show for 8 years.

It's absolutely true that it's almost impossible to play a character without having any affection for him.

I think the writing on the wall is definitely there this year that this is probably our last year.

So already, you go from not having a job and thinking you're going to get fired after the pilot, to knowing that you've got a guaranteed job for 4 years.

For some reason, it popped into my head the notion that a lot of the Next Generation cast in the long run of that show managed to step behind the camera.

My brother had boxes of comic books. He was really the collector.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

And what's interesting about him as a comic character is that the custard pie hardly ever ends up on his face.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I didn't want to be greedy. It's a mark of bad character and I always believed that pigs go the slaughterhouse.

The analysis of character is the highest human entertainment.