All I have to concentrate on is my performing.

I had some airline stock, but the airlines tanked. I didn't have a lot of money in them, though.

I don't own everything, I do have a partner.

Well, I got people that help me with the restaurant. I don't have to be at the restaurant 24 hours a day.

There used to be a lot of acts, which was good, because people don't want to see the same act every night. But, you don't want too many acts, you don't want to over-saturate it.

A lost of people recognize me and maybe will ask for an autograph, but it's nothing like if Elvis would've done something like that, 'cause he's so popular, or maybe The Beatles 'cause they stirred up a lot of action.

If you're not on a major label today, you're not gonna get played. They've got the market sewed up.

I'm not the sharpest knife in the drawer, but I do know how to count.

I guess the nicest thing about being, I won't say famous but being popular is a more proper word for me to use would be that if you've got a recognizable name, a lot of times you can get people to do things for you ordinarily that you wouldn't get done.

If I cut an album now and sell it for ten bucks, I can put seven dollars and fifty cents in my pocket.

I've grown up with my audience; they're my age or older. Not a lot of kids are coming to see me.

'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.

A record co. is just a vehicle for public appearances.

Back then I thought if you cut a record, you were automatically a star.

All my money was made doing the dates and selling products when I was out there on the road.

So I'm trying to spread myself to the point to where I can do the night shows and not have to worry about the matinees, and do one or two matinees down through the year.

I try to stay ahead of things, if you know what I mean. I take the money I make and reinvest it.

If you have good food, people will come to your restaurant.

I had seventeen No. 1 songs and I didn't see anything like that kind of money.

I had a few stocks, but stocks took a dive. I never sell my stocks.

My only failure was the restaurant in Myrtle Beach. I kept it open for four years. It was in a tourist town, it was only busy four and half, five months of the year. But the bills kept coming all year.

When a record co. finds a guy now, they want to own everything. They want to own the rights to market that person's particular name. They want a piece of the action all the way through.

All I have to concentrate on is my performing.

I'm set to have my best year ever: I'm hiring some acts and there will be a show in the morning, in the afternoon and in the evening. I'm going to use my theater to its fullest potential.

I have the restaurant, too. I serve Southwest, barbecue.

It's like Branson. When I went to Branson there was only 4 acts in there. Now, you can't count 'em. There's so many theatres now, that only the strong will survive.

All I want to do is do my shows and play golf.

It's the same with the ballplayers. Babe Ruth spent a lot, too and the ballplayers make a lot more money now.

A cultural fixation on female thinness is not an obsession about female beauty but an obsession about female obedience.

When I told my friends I was going to be a comedian, they laughed at me.

I think I'm too young to be a mogul. I think I'm too young for that.

What does the future look like if the heads of society ask our young people to risk their lives for questionable causes? I think it looks rather bleak.

What we need is for people to realize - 'I want to raise my kid. I want to go back and get my three kids. I want to take on that responsibility. I want to love my children.'

I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.

You faced front, you seldom smiled, since levity was not the mark you wanted put across your face forever.

The fields are black and ploughed, and they lie like a great fan before us, with their furrows gathered in some hand beyond the sky, spreading forth from that hand, opening wide apart as they come toward us, like black pleats that sparkle with thin, green spangles.

To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image.

I believe my own demons would have caught up with me regardless of my race and regardless of whether I worked at 'The Times.'

Melancholy is a sensual pleasure that is deliberately provoked. How many people shut themselves away to make themselves sadder, or to weep beside a stream, or choose a sentimental book! We are constantly building and unbuilding ourselves.

To my knowledge, I was the first guy really to do what I do. And then later on different comedians started trying doing it.

We're going to help DC feel like more of an important priority in Warner Bros.

Take, if you must, this little bag of dreams, unloose the cord, and they will wrap you round.

I was always a big reader, even when everything was bad and miserable.

As soon as I have got flying to perfection, I have got a scheme about a steam engine.

We, to some degree, are like what we are because we inherited certain things from the Greeks and the Romans. One of them that's so striking is the whole area of politics.

Turkey wants a policy of engagement exactly like President Obama's new approach. Policy of engagement, less confrontation, less tense attitude, especially in the region.

Strength of 100 men? I'd probably just get mad and hurt somebody and end up in jail. I think invisibility would probably be the best thing. I could be like, 'You know what, let me just see what these folks are talking about over here.' Then you could sneak into Rams cheerleaders' locker room.

If you're going to do something that's going to cause offence to people, you're always going to get a reaction.

But the reporter has the responsibility to determine, number one, whether that is true, and number two, to make a judgment as to whether it's in the public interest and whether or not it should be part of the debate.