My only failure was the restaurant in Myrtle Beach. I kept it open for four years. It was in a tourist town, it was only busy four and half, five months of the year. But the bills kept coming all year.

I had some airline stock, but the airlines tanked. I didn't have a lot of money in them, though.

I don't own everything, I do have a partner.

Well, I got people that help me with the restaurant. I don't have to be at the restaurant 24 hours a day.

There used to be a lot of acts, which was good, because people don't want to see the same act every night. But, you don't want too many acts, you don't want to over-saturate it.

A lost of people recognize me and maybe will ask for an autograph, but it's nothing like if Elvis would've done something like that, 'cause he's so popular, or maybe The Beatles 'cause they stirred up a lot of action.

If you're not on a major label today, you're not gonna get played. They've got the market sewed up.

I'm not the sharpest knife in the drawer, but I do know how to count.

I guess the nicest thing about being, I won't say famous but being popular is a more proper word for me to use would be that if you've got a recognizable name, a lot of times you can get people to do things for you ordinarily that you wouldn't get done.

If I cut an album now and sell it for ten bucks, I can put seven dollars and fifty cents in my pocket.

I've grown up with my audience; they're my age or older. Not a lot of kids are coming to see me.

'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.

A record co. is just a vehicle for public appearances.

Back then I thought if you cut a record, you were automatically a star.

All my money was made doing the dates and selling products when I was out there on the road.

So I'm trying to spread myself to the point to where I can do the night shows and not have to worry about the matinees, and do one or two matinees down through the year.

I try to stay ahead of things, if you know what I mean. I take the money I make and reinvest it.

If you have good food, people will come to your restaurant.

I had seventeen No. 1 songs and I didn't see anything like that kind of money.

I had a few stocks, but stocks took a dive. I never sell my stocks.

My only failure was the restaurant in Myrtle Beach. I kept it open for four years. It was in a tourist town, it was only busy four and half, five months of the year. But the bills kept coming all year.

When a record co. finds a guy now, they want to own everything. They want to own the rights to market that person's particular name. They want a piece of the action all the way through.

All I have to concentrate on is my performing.

I'm set to have my best year ever: I'm hiring some acts and there will be a show in the morning, in the afternoon and in the evening. I'm going to use my theater to its fullest potential.

I have the restaurant, too. I serve Southwest, barbecue.

It's like Branson. When I went to Branson there was only 4 acts in there. Now, you can't count 'em. There's so many theatres now, that only the strong will survive.

All I want to do is do my shows and play golf.

It's the same with the ballplayers. Babe Ruth spent a lot, too and the ballplayers make a lot more money now.

When you left on Saturday, I felt a horrible void, I saw you everywhere, on the beach, in your room, in the garden: impossible for me to get used to the idea that you had left.

Of course The Beach Boys will be camp.

Babies don't need a vacation, but I still see them at the beach... it pisses me off! I'll go over to a little baby and say 'What are you doing here? You haven't worked a day in your life!'

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

I like to cook, walk on the beach, go to concerts and look at fine art.

It was like in Samoa when they'd put up a movie screen on the beach and show movies and the locals would run behind the sheet to see where the people went. It was pretty grim.

I've never been one to run around in Speedos on the beach.

You know, The Beach Boys' image is kinda like a group Doris Day, you know what I mean?

The pictures we saw before we got down here didn't even touch the reality of what it is like being here. We can be right on the beach with all the devastation and still not be able to imagine what it was like when the wall of water actually came up.

I've been kind of submerged in my own little geographic location for a really long time in Venice Beach.

We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about.

The British are so funny. It's like they can't believe I lived in Hackney. 'You could live in Bondi Beach. Why would you want to live in 'Ackney?' But Hackney's fantastic. I'm serious. There are so many artists there. I loved the markets, the parks, the pubs, the diversity. It was a cultural melting-pot.

I rent houses in LA when I'm filming. I find the isolation there terrifying. There's nowhere to go, there's nowhere to be with people. I'm not a beach bunny.

One cannot collect all the beautiful shells on the beach. One can collect only a few, and they are more beautiful if they are few.

The moon is essentially gray, no color. It looks like plaster of Paris, like dirty beach sand with lots of footprints in it.

And I was in another band called Flash In The Pan, which was soca, Latin music, down in Laguna Beach.

They were heading out to the middle of the bay - the Gulf - that's another thing that became kind of standard practice, we didn't hurry the destroyers around the beach any more, when it got dark, we'd take 'em out thirty or forty miles out in the middle of the Tonkin Gulf.

I manage a team, for beach soccer. I'm the coach. Player, coach.

If Frank and The Beach Boys got together and did a Super Session album, it would be a gas.

There will always be a Beach Boys. Being a Beach Boy is like being in love.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.