You would be surprised of films that people just don't see. You know what I mean? I'm always working and I'm a film buff but I'm an old school film buff.

I left Indiana, and I ain't been back since. I've been doing comedy and paying my bills.

I watch old school film so that I can learn so much that I just sort of miss all the new stuff.

I'm gonna have to develop myself. I'm just going to do the best that I can do.

But I'm real conscious about what I do. I don't care what the label is. I'm looking at the outcome of it.

Everybody that's living in this earth is living in a situation. It's not narrow-minded to the point where everybody is serious and nobody has a personality. I think people die telling jokes.

Just the fact that I'm in the game is great. I'm just blessed to be working. I got a plan, but I'm humble and I try to be humble.

I'm humble enough to wait and just chill. I'm having fun just working with these good people, man.

Every now and then you get a nice Jewish kid who likes black people and they would come in, and it would be a stream of them, and have black friends and really feel the black struggle on the acting tip and it's a reason why all of us are not dying in the movie.

I've been with this young lady for about two years now, and my life changed. I don't even think that way no more. I feel good, too, that I'm changed. Now I feel regular. I feel like I'm supposed to.

Yeah, I don't mess with chicks younger. They got to be almost thirty.

She didn't break his heart, but I feel like a man is supposed to be a man, he ain't supposed to be all involved in that. That's why she got sisters and friend for. Just show up with the ring and act right.

I learned that you don't have to be all over the place, that you can be subtle and you can say what you say. The words that you put together can be just as hilarious as falling all over the place or doing something.

I think in life, the sense of humor and comedy always exists.

I'm a survivor of life. I try to give the glory to God and appreciate what's happening to me.

I can remember when I was a baby and my mother was there watching the show. I went and bought 100 episodes and watched them. I respect it so much that the sitcom itself and Ed Norton; I'm not playing Ed Norton but my version of it, cause I'm a black man.

With Ice Cube they ain't no telling. He might have one cocked and loaded, ready to bust. We might do The Sunday, two old men sitting around the house waiting on the social security check.

I love Richard Pryor. I love him to death.

Federal prison, if you get any of it, you're going to have to do 85% of it. And the reason why I called it that is because I had a friend who got sent to the federal joint and his whole... it wasn't about him being in jail. He cried about the 85%.

You know, my life's changed now. I'm starting to experience what people are really supposed to do. You supposed to be married. You're supposed to have a family, kids, treat your wife right.

I'm telling a Richard Pryor story through me.

They have what you call a black night where they have black people come in for just one night only to watch comedy, and you get all your local drug dealers, thugs, prostitutes, all of them come in, sit down, and listen to you tell jokes. They the hardest people to make laugh.

You know, you can't make the people do what you want them to do.

I don't know why people think I'm this ad-lib dude.

Honestly, I feel like I am a leading man, and it's just going to take the right project, the female and the right studio. It's got to all gel together, you know what I mean?

I don't know nothing about no marriages or nothing. I ain't even never been to a wedding.

Cedric, man, it's like if I'm working with you, like I'm sitting here now talking to you, I want to get along with you. That's how I am. I feel like if I get along with you, the work will be splendid.

You would be surprised of films that people just don't see. You know what I mean? I'm always working and I'm a film buff but I'm an old school film buff.

On 'Friday,' I had a big trailer, and we would have a barbecue going and music playing. It was a fun set. There was too much involved for 'The Hangover' to be a fun set. They're trying to get money.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!