If I make two films in a year, they'll be different. This is my style - I can't have just one way.

In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all look at it and claim that they hold the entire truth.

Because there is so little room for expression otherwise, a lot of people love cinema because they find it a way of expressing themselves.

There's an 800 kilometer border between Iran and Afghanistan.

From my films, you can at least learn about Iran, you can get a sense of the history and the society. But no such films have been made about Afghanistan, so you really can't know much about it.

I myself had to grow a longer beard and Afghan clothes. I was in danger of being kidnapped by smugglers, though I didn't know it at the time.

The question in their minds was, why did the outside world, and particularly the Western world, produce all these landmines, and send them to Afghanistan? This business must be stopped. It's a dirty business to produce such a horrible device.

In many ways, it is very real, because I sat there for 9 days, and it was constantly happening, and that was the 9 days of making the film. But you can't say that it's 100% true, because there are places where I've been intrusive and interfered.

I'm not playing myself. It's a symbolic situation, where I want to introduce a fascist behind the table. I couldn't have had anybody else do that; for it to be successful, I had to do it myself.

When we began filming, these people had legs, but as we were filming, they had been injured and they were brought to the hospital to have their legs amputated, and that's where we found them and asked them to come and be part of the film.

From 7 in the morning to 11 at night, I was reading. I don't think one can find any other time in one's life to be left alone so much to read in peace like that.

Rumi, who is one of the greatest Persian poets, said that the truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.

I've heard about brothers making films, but I've never heard about whole families making films like this. We didn't intend to do it; it wasn't something that we planned - it just gradually happened.

If I make two films in a year, they'll be different. This is my style - I can't have just one way.

I wanted to be left alone to live my life, so it was very easy for people to pretend that they were me.

Afghan society is very complex, and Afghanistan has a very complex culture. Part of the reason it has remained unknown is because of this complexity.

But also, there are no films being made about Afghanistan.

Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.

When I came out, and for many years afterwards, it had become a habit for me to sit and read and read and read, like an obsession. I would take 20 books, and not come out until I'd finished them. It took me a while to change that habit.

The Buddhas had to be destroyed by the Taliban to get the world thinking about Afghanistan.

A problem was the lack of cooperation of the Afghan community itself. The women, though living in Iran, were under cover and not willing to participate in the film, and none of the ethnic groups were willing to work together or be together.

The style depends on the subject.

I was in jail four and a half years. When I came out, I continued the same struggle against injustice, but instead of using weapons, I began to use art and cinema.

Do you know that every day, 10 people in Afghanistan are injured by landmines? It will continue for the next 50 years, because the country has the largest number of landmines in the world.

Five years ago, Samira did not want to continue in the regular school system in Iran. To help her with her education, I set up a home school. It wasn't just for my family, it was open to other friends.

The generic Canadian style of illustration is different from the generic American style.

Style is as much under the words as in the words. It is as much the soul as it is the flesh of a work.

I want to be the first lady to land a quadruple jump in competition. As I grow older, I know that my skating style will develop and mature.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

A man is free to go up as high as he can reach up to; but I, with all my style and pep, can't get a man my equal because a girl is always judged by her mother.

Radical Chic, after all, is only radical in Style; in its heart it is part of Society and its traditions.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

His style has the desperate jauntiness of an orchestra fiddling away for dear life on a sinking ship.

Peter, of the three of us, was our prince. He seemed so timeless. He had such elan and style.

The difference between style and fashion is quality.

Style? I have no style.

Style is the dress of thought; a modest dress, Neat, but not gaudy, will true critics please.

I can play punk rock, and I love playing punk rock, but I was into every other style of music before I played punk rock.

Because there is actually something very interesting in Goodfellas, how the style of the film changes as time goes by and based on the mental state of the protagonist.

Oh, never mind the fashion. When one has a style of one's own, it is always twenty times better.

Every top player has his own style, just as every painter has his own personal signature.

The web, then, or the pattern, a web at once sensuous and logical, an elegant and pregnant texture: that is style, that is the foundation of the art of literature.

Instead of the international police action we had hoped for during the war in Kosovo, there are wars again - conducted with state-of-the-art technology, but still in the old style.

Don't settle for style. Succeed in substance.

I occasionally got called the Rush Limbaugh of Indiana, but most people knew that my style was different.

No, there's not much competition between puppeteers in general because everybody's working their own style.

The whole point in developing your own style is to find your own voice.

The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.