This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.

Oh yeah, I'm a huge romance fan. And some women like action.

It's not always about the money.

This industry is very make-believe and you caught in a false sense of what reality is.

You can become really pigeon-holed in this industry.

It's hard when you see a scene where it's raining, and we have the rain machine, and you see it for 5 minutes, but that scene takes all day to shoot, and you do it with rain, and the dry off, and go back and do it again.

I enjoy what I do, but it's more challenging than people think.

There are a lot of people in this business that don't work consistently.

Producing is easier, I can just be at the set overseeing the story.

And I think from a male perspective, we have men talking about their feelings and it being okay.

This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.

Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.

I think the best type of action movie combines a love story with the action.

You start making movies and people start seeing when you go to places, and all of a sudden you are getting clothes for free and all of a sudden you are getting food for free.

Nah, I'm not a prima donna, but I just don't like being cold and wet.

I want viewers to relate to me on a different level, not just a sexual level.

I am just another fireman because the story focuses on Joaquin Phoenix's character, but I play Joaquin's close friend and I get burned up a little bit, but I don't die.

I would like more challenging roles. I definitely would like to something that's more challenging.

You have to be insane to direct.

I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.

Some people make a career out of doing one thing, but I wanted to diversify my body of work.

I'm just happy to be working consistently.

I'm getting to the point where they see me as a good actor, rather than just a good guy who can act.

I've been in a situation where I was after the money.

At one point, people thought that Eddie Murphy would only reach one sector of the audience, but now everyone sees everything Eddie Murphy does.

A lot of times, women don't get the male perspective in regards to a relationship, what men go through when they're not really dealing well.

I hate being cold and I hate being wet and around 80% percent of this film I was cold and another 60% I was cold and wet, so it wasn't the best shoot for me.

When you are the lead in a romantic comedy, you have to worry about people really liking you.

I would never want any of my kids to go into this industry; not until they are old enough to understand and if this is something that they really want to do.

I think that Mos Def is the best actor, but when you talk about rappers in films, I don't really think the quality of the acting is most important because most rappers are put in movies because of the personality and people want to see that.

Unless you are really grounded and have a true sense of reality, you can get lost in that and a lot of people do and that's why you see so many people with successful careers but with destructive lives.

To me the work is so much more interesting, the parts that don't require you just to take your shirt off.

I want to tell stories for everyone, primarily.

You go from movies where you are wearing nice clothes and you're trying to smell good to a movie where you are in water and you are wet all day, and you are dealing with that elements, it gets rough, but it was definitely something I wanted to try.

I'm not going to take my shirt off in every movie.

Unless you are really grounded and have a true sense of reality you can get lost in that and a lot of people do and thats why you see so many people with successful careers but with destructive lives.

Sometimes the stereotypes that a lot of people have are of black men in jail or who don't take care of their kids, so I think it's always important to have that.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.