And Lennie Tristano I like a lot, I still like him.

I finally decided if I was going to make a living, I was gonna have to come to New York.

As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swing, and instrumental personality.

I sang and wrote songs when I was 12 years old.

Then I started listenin' a lot to classical composers. Piano works. Just to see what they were doin'. That sort of put me in a different groove to try to blend all that in.

I just have a lot off different influences.

I'm playin' the music I like.

I'm always storing away phrases and ideas and things that I think might turn into songs.

Pizza Express has been a real godsend for me. I've been working there for several years, six weeks a year. You can go to work every night and play. It's a nice little club. It's just about the right size for me, about 150 people.

I can't judge my own stuff. That's for others. But those are the three things that I admire.

I never sit down and write. I just sorta let things form in my brain.

I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.

I haven't stopped and I don't plan on stoppin' any time soon.

I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.

Traveling these days has a lot of problems and also it wears you out more.

I've been able to do pretty well. I don't work as many consecutive nights as I used to, but I'm still working over 100 nights a year, so that's good for me.

All the classic jazz players all sang and a lot of 'em sang blues.

There's a few tunes of mine that don't have jokes, but most of them have a joke and they have a humorous point of view somewhere.

I'm playin' music for a certain type of person. Fortunately, there are more and more of us. At least there are more comin' to see me than there were 30 years ago or so.

I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.

I have no idea what I'm doin'. I've never seen me.

But I got an audience that knows what I do. They usually show up, so I usually do pretty good.

The thing of playin' and singin' never bothered me.

I just try to do as good job with the material as I can and play some jazz as well, some improvised music, and do that every night. Just see where it goes.

The jazz boom was goin' on then so there was a lot happenin' in New York at that time.

At this point, I don't listen to other people too much. I'm not really that affected by anyone.

It's as much fun as it ever was, you know, once I get there. Gettin' there is a little harder.

My main influences have always been the classic jazz players who sang, like Louis Armstrong and Nat King Cole and Jack Teagarden.

And Lennie Tristano I like a lot, I still like him.

So I'm in my 51st year of playin' mostly nightclubs. I do some concerts.

I been getting good crowds. It only took 50 years.

There's a lot of terrible things goin' on all the time, but you gotta try and have some fun in the end.

I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza Express.

The essentials of Jazz are: melodic improvisation, melodic invention, swing & instrumental personality.

I try to sleep as much as I can. I drink a lot of water. I practice consistently and just try to be ready for the gig.

As an actor you make choices that are either right or wrong, and you find the ones that are right for you. As an understudy, the choices have been made, so you have to make those choices right. Going into the role, you can't really question it.

That got me to L.A. and reintroduced me to my future husband.

The wheel of change moves on and those who were down go up and those who were up go down.

I was four when I started modeling. My mom was very much an off-the-stage mom who knew nothing about the business. She married my stepdad when I was about four, and he had been an actor. Because I was a really smiley kid and could read, which is something they're always looking for, she just decided to give it a shot.

When the President does it, that means that it's not illegal.

I can pretty much say that because of Bruce Lee and Jean-Claude Van Damme, that's why I do what I do today.

In the subprime mortgage industry, bankers handed out iffy loans like candy at a parade because such loans meant revenue and, hence, bonuses for executives in the here-and-now.

Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.

The liberally educated person is one who is able to resist the easy and preferred answers, not because he is obstinate but because he knows others worthy of consideration.

When my body is covered and disappears, it's not about the relationship between me and the wall, but the relationship between me as an individual and those slogans which are used to fool the public.

When we truly realize that we are all alone is when we need others the most.

Most of my town hall meetings had always been love fests, and some of my guys used to complain: 'I'd like for somebody to yell at you a bit.'

For the machine, because of the way it is built, can work only in a given direction, no matter who pulls its levers.

Texas, with her superior natural advantages, must become a point of attraction, and the policy of establishing with her the earliest relations of friendship and commerce will not escape the eye of statesmen.