And Lennie Tristano I like a lot, I still like him.

I finally decided if I was going to make a living, I was gonna have to come to New York.

As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swing, and instrumental personality.

I sang and wrote songs when I was 12 years old.

Then I started listenin' a lot to classical composers. Piano works. Just to see what they were doin'. That sort of put me in a different groove to try to blend all that in.

I just have a lot off different influences.

I'm playin' the music I like.

I'm always storing away phrases and ideas and things that I think might turn into songs.

Pizza Express has been a real godsend for me. I've been working there for several years, six weeks a year. You can go to work every night and play. It's a nice little club. It's just about the right size for me, about 150 people.

I can't judge my own stuff. That's for others. But those are the three things that I admire.

I never sit down and write. I just sorta let things form in my brain.

I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.

I haven't stopped and I don't plan on stoppin' any time soon.

I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.

Traveling these days has a lot of problems and also it wears you out more.

I've been able to do pretty well. I don't work as many consecutive nights as I used to, but I'm still working over 100 nights a year, so that's good for me.

All the classic jazz players all sang and a lot of 'em sang blues.

There's a few tunes of mine that don't have jokes, but most of them have a joke and they have a humorous point of view somewhere.

I'm playin' music for a certain type of person. Fortunately, there are more and more of us. At least there are more comin' to see me than there were 30 years ago or so.

I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.

I have no idea what I'm doin'. I've never seen me.

But I got an audience that knows what I do. They usually show up, so I usually do pretty good.

The thing of playin' and singin' never bothered me.

I just try to do as good job with the material as I can and play some jazz as well, some improvised music, and do that every night. Just see where it goes.

The jazz boom was goin' on then so there was a lot happenin' in New York at that time.

At this point, I don't listen to other people too much. I'm not really that affected by anyone.

It's as much fun as it ever was, you know, once I get there. Gettin' there is a little harder.

My main influences have always been the classic jazz players who sang, like Louis Armstrong and Nat King Cole and Jack Teagarden.

And Lennie Tristano I like a lot, I still like him.

So I'm in my 51st year of playin' mostly nightclubs. I do some concerts.

I been getting good crowds. It only took 50 years.

There's a lot of terrible things goin' on all the time, but you gotta try and have some fun in the end.

I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza Express.

The essentials of Jazz are: melodic improvisation, melodic invention, swing & instrumental personality.

Relax. Just relax and have fun doing what youre doing. Dont worry so much about being results oriented. Just commit yourself to the moment.

The nurses at the hospital tried to soothe me, and they even tried unsuccessfully at one point to return me to Americans.

I'll admit it: I'm a control freak. I am. If I'm going to do something, I'm going to do it 110% or there's no point in doing it at all, especially if the work takes me away from time with my husband and children.

In other times, I could stand here and give this kind of exposition on the beliefs of the Democratic Party and that would be enough. But today that is not enough. People want more.

I play out negative fantasies for people. I'm the guy people love to hate. And they always remember the bad guy.

The shortage of buyers, which the world is suffering from, is readily understood, not as due to people not wishing to obtain possession of goods, but as people being unwilling to part with something which might earn a regular income in exchange for those goods.

If you're going to build something, don't build on land someone else already owns. You want your own land, your own domain, your own sovereignty. Trouble is, so much of the choice land - the land where all the people are - is already owned by someone else: By Google, Facebook, Twitter, LinkedIn, Yahoo, and Apple (in apps, anyway).

The NSA has built an infrastructure that allows it to intercept almost everything. With this capability, the vast majority of human communications are automatically ingested without targeting. If I wanted to see your emails or your wife's phone, all I have to do is use intercepts. I can get your emails, passwords, phone records, credit cards.

We're doing everything we can to solidify my base of support in the 4th Congressional district.

There's no safe Republican district. You can run, but you cannot hide.

As an actor myself, I know we go where the work is, but I think it's sad the Lyric haven't found any homegrown talent.

Yesterdays gone on down the river and you cant get it back.

Biology has tended to be an observational science and deriving things from first principles has not been possible in the past but I hate to predict the future on that.

I feel like I've grown up on screen quite a lot.

Small players learn to be intuitive, to anticipate, to protect the ball. A guy who weighs 90 kilos doesn't move like one who weighs 60. In the playground I always played against much bigger kids and I always wanted the ball. Without it, I feel lost.