But I got an audience that knows what I do. They usually show up, so I usually do pretty good.

I finally decided if I was going to make a living, I was gonna have to come to New York.

As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swing, and instrumental personality.

I sang and wrote songs when I was 12 years old.

Then I started listenin' a lot to classical composers. Piano works. Just to see what they were doin'. That sort of put me in a different groove to try to blend all that in.

I just have a lot off different influences.

I'm playin' the music I like.

I'm always storing away phrases and ideas and things that I think might turn into songs.

Pizza Express has been a real godsend for me. I've been working there for several years, six weeks a year. You can go to work every night and play. It's a nice little club. It's just about the right size for me, about 150 people.

I can't judge my own stuff. That's for others. But those are the three things that I admire.

I never sit down and write. I just sorta let things form in my brain.

I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.

I haven't stopped and I don't plan on stoppin' any time soon.

I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for the most part, although I do a couple of Duke Ellington tunes that are well known.

Traveling these days has a lot of problems and also it wears you out more.

I've been able to do pretty well. I don't work as many consecutive nights as I used to, but I'm still working over 100 nights a year, so that's good for me.

All the classic jazz players all sang and a lot of 'em sang blues.

There's a few tunes of mine that don't have jokes, but most of them have a joke and they have a humorous point of view somewhere.

I'm playin' music for a certain type of person. Fortunately, there are more and more of us. At least there are more comin' to see me than there were 30 years ago or so.

I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.

I have no idea what I'm doin'. I've never seen me.

But I got an audience that knows what I do. They usually show up, so I usually do pretty good.

The thing of playin' and singin' never bothered me.

I just try to do as good job with the material as I can and play some jazz as well, some improvised music, and do that every night. Just see where it goes.

The jazz boom was goin' on then so there was a lot happenin' in New York at that time.

At this point, I don't listen to other people too much. I'm not really that affected by anyone.

It's as much fun as it ever was, you know, once I get there. Gettin' there is a little harder.

My main influences have always been the classic jazz players who sang, like Louis Armstrong and Nat King Cole and Jack Teagarden.

And Lennie Tristano I like a lot, I still like him.

So I'm in my 51st year of playin' mostly nightclubs. I do some concerts.

I been getting good crowds. It only took 50 years.

There's a lot of terrible things goin' on all the time, but you gotta try and have some fun in the end.

I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza Express.

The essentials of Jazz are: melodic improvisation, melodic invention, swing & instrumental personality.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

So the guy that we're really targeting our system at this year is one of the guys who brought a 16bit system three or four years ago and has pretty much had it with that, and he's ready to buy something new.

Grissom is pretty asexual. He's not that interested in anything other than work - except for Lady Heather. She's the closest to getting his heart of anyone.

The student body was huge at UT and you had to mature pretty quick, very quick actually. I enjoyed it and it helped me a lot in my life in general - not only in the classroom but on the baseball field as well.

It was pretty extensive - we worked out 8 hours a day, 5 days a week, for 3 months, which I think is more than anybody in the Olympics. I thought well I don't need this, the girls need it, but it was a gift.

Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.

I was pretty taken with Patti Smith, she was my heroine.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

When George Bush asked me to sign on, it obviously wasn't because he was worried about carrying Wyoming. We got 70 percent of the vote in Wyoming, although those three electoral votes turned out to be pretty important last time around.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

It's pretty simple, pretty obvious: that people's first impressions of people are really a big mistake.

I felt pretty comfortable with Westerns, apart from the fact I couldn't ride.

Being the first woman speaker and breaking the marble ceiling is pretty important. Now it's time to move on.

Well, the years from 10 to 20, when your body, mind and everything is like changing every five minutes, can be pretty torturing. And most of the interesting characters, I think, are somewhat tortured or torturous. I'm 20 now, so I'm only just an adult.

You just keep feeding hogwash to people, and pretty soon they'll eat it.