When you think you're listening to several conversations at once, they tell me, you may really simply be time sharing - that is, listening a little bit to this one, a little bit to that one.

So the old Copenhagen interpretation needs to be generalized, needs to be replaced by something that can be used for the whole universe, and can be used also in cases where there is plenty of individuality and history.

Planets are too dim to be detected with existing equipment, far away, except in these very special circumstances where they're seen by their gravitational effect.

You know, there was a time, just before I started to study physical science, when astronomers thought that systems such as we have here in the solar system required a rare triple collision of stars.

If we look at the way the universe behaves, quantum mechanics gives us fundamental, unavoidable indeterminacy, so that alternative histories of the universe can be assigned probability.

Now, what that means is that there is fundamental indeterminacy from quantum mechanics, but besides that there are other sources of effective indeterminacy.

But when researchers at Bell Labs discovered that static tends to come from particular places in the sky, the whole field of radio astronomy opened up.

As a theoretical physicist, I feel at once proud and humble at the thought of the illustrious figures that have preceded me here to receive the greatest of all honors in science, the Nobel prize.

Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.

Sometimes the probabilities are very close to certainties, but they're never really certainties.

Our planet doesn't seem to be the result of anything very special.

I have been interested in phenomena involving complexity, diversity and evolution since I was a young boy.

When you think you're listening to several conversations at once, they tell me, you may really simply be time sharing - that is, listening a little bit to this one, a little bit to that one.

For me, the study of these laws is inseparable from a love of Nature in all its manifestations.

Enthusiasm is followed by disappointment and even depression, and then by renewed enthusiasm.

I do not keep up with the details of particle physics.

I think also of my colleagues in elementary particle theory in many lands, and feel that in some measure I am here as a representative of our small, informal, international fraternity.

I am frequently astonished that it so often results in correct predictions of experimental results.

The chaos can act as a magnifier of quantum fluctuations so that they can produce sizable effects in the world around us. But we know that that can happen often.

But I don't actually adopt the point of view that our subjective impression of free will, which is a kind of indeterminacy behavior, comes from quantum mechanical indeterminacy.

We are driven by the usual insatiable curiosity of the scientist, and our work is a delightful game.

What I try to do in the book is to trace the chain of relationships running from elementary particles, fundamental building blocks of matter everywhere in the universe, such as quarks, all the way to complex entities, and in particular complex adaptive system like jaguars.

In fact any experiment that measures a quantum effect is one in which the quantum effect is aligned with the behavior of some heavy, macroscopic object; that's how we measure it.

If someone says that he can think or talk about quantum physics without becoming dizzy, that shows only that he has not understood anything whatever about it.

Well, I don't like to get involved in these philosophical issues very much.

Of course the word chaos is used in rather a vague sense by a lot of writers, but in physics it means a particular phenomenon, namely that in a nonlinear system the outcome is often indefinitely, arbitrarily sensitive to tiny changes in the initial condition.

My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.

Fancy your having no sunshine in London yesterday! Here it was glorious, like full summer, and I sat up with the window wide open, listening to the discourse of two amorous thrushes.

I was growing up listening to Queen. Freddie Mercury threw those incredible melodies into his songs.

I just love listening to the laughter.

I was up until all hours of the night, listening to stories, meeting great old comedians.

There are many benefits to this process of listening. The first is that good listeners are created as people feel listened to. Listening is a reciprocal process - we become more attentive to others if they have attended to us.

I started listening to music when I wrote when I had three sons at home.

My playing started to develop through the Miles Davis stuff I was listening to.

The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.

Any problem, big or small, within a family, always seems to start with bad communication. Someone isn't listening.

Whatever had been on the radio in the '60s; I mean we were always listening to the radio.

Because of the changes in the Padres team I played with last year, I felt like a veteran recently when I worked out with Jason Kendall and he told me he's liked listening to my records since he was a kid!

I think listening to real classic soul material made me learn how to feel music that's sung.

All of my style came from listening to records.

I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.

You can do and use the skills that you have. The schools need you. The teachers need you. Students and parents need you. They need your actual person: your physical personhood and your open minds and open ears and boundless compassion, sitting next to them, listening and nodding and asking questions for hours at a time.

Indeed - judicious, consistent parenting is a dream of mine. No judgements, learning space and listening carefully are my goals.

It was very hard to get any records, so the only source for us to really hear what was happening was listening to the Voice of America. We would be taping all the broadcast and then sharing the tapes and talking about it.

I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.

When I began listening to saxophones, I was first attracted to Coleman Hawkins.