If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.

We're so afraid of death in our culture, but I think if we understand it better, then we'll appreciate the life we have more.

Pain is such an important thing in life. I think that as an artist you have to experience suffering.

Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.

It's always nerve-racking to take off your clothes on film. But doing it with a woman felt safer than with a man. You know you can say, 'Don't grab me there: That's where my cellulite is'!

I find myself gravitating towards drama. It interests me. In the books I read, the paintings I like, it's always the darker stuff.

I'm not this dark, twisted person. Yes, I have my demons and this is my way of exorcising them. It gets them out - and better out than in.

The biggest place I look for validation is from my mother. That's the little girl in me that will never grow up.

I'm a tomboy now. I always wanted to fit in with my brother's group, so I climbed trees and played with lead soldiers. But I'm a woman's woman. I never understood women who don't have woman friends.

Oh, I'm definitely a wild child.

I had gotten to a place where I truly believed everything I was called: 'not sexy,' 'not funny,' 'too intense,' desperate.' All those labels they gave me, I took them because there wasn't a trace of my true self left.

There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.

It was total naivety that got me to Hollywood. I thought it was going to happen straight away. I told myself 'give it 5 years, there's no way I'll be here after that if it doesn't happen'. Cut to ten years later!

I always love being in the company of women. It's all about good conversation and great wine.

There's a lot of skeletons in my closet, but I know what they're wearing. I'm not gonna act all ashamed of it.

There was a time I was very much blaming the way I felt on L.A, that it was a vacuum of creativity, of humor or anything organic, and I was really angry at the place. But then today I feel completely different - I love L.A.!

If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.

Whatever is said about roles drying up, I intend to keep working. Certainly now the roles couldn't be more interesting - playing mothers, divorcees. I think it's going to be exciting to play a mother of teenagers. The longer your life, the deeper it gets.

That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.

You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts, because they probably think I'm this dark, twisted, miserable person.

You have to make peace with yourself. The key is to find the harmony in what you have.

When I had dark hair I definitely felt that I was more anonymous.

On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.

As much as my kids keep me young, they also have the reverse effect when I don't have the energy.

I know it's silly, but I still think I'm 28.

I'm not sure why I still think of myself as 28 - maybe that's the point where you start growing up, and then you just feel the same for evermore.

When I was about 14, my family emigrated from England to Australia, and we decided to stop in Bali on the way through.

We used to think that revolutions are the cause of change. Actually it is the other way around: change prepares the ground for revolution.

I must stress here the point that I appreciate clarity, order, meaning, structure, rationality: they are necessary to whatever provisional stability we have, and they can be the agents of gradual and successful change.

Excuses change nothing, but make everyone feel better.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

I wouldn't change Buffy for anything and I wouldn't change the course in which she has evolved but it is nice to be able to do something that is a little different.

For example, UNICEF works with governments to change legislation such as in India where a law was passed raising the age of compulsory school completion to keep children in school and away from the workplace for longer.

Great joy, especially after a sudden change of circumstances, is apt to be silent, and dwells rather in the heart than on the tongue.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

Don't knock the weather; nine-tenths of the people couldn't start a conversation if it didn't change once in a while.

You don't have to be the Dalai Lama to tell people that life's about change.

I knew that my staying up would not change the election result if I were defeated, while if elected I had a hard day ahead of me. So I thought a night's rest was best in any event.

It will always be a battle a day between those who want maximum change and those who want to maintain the status quo.

Being a father, well, I don't know if this is a change, but it makes me want to get out of here faster. Get off the clock. Just 'cause the baby is my reason for living, my reason for coming to work.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.

I was born not knowing and have had only a little time to change that here and there.

In their search for quality, people seem to be looking for permanency in a time of change.

The game has kept faith with the public, maintaining its old admission price for nearly thirty years while other forms of entertainment have doubled and tripled in price. And it will probably never change.

One day I actually took the list into the bathroom and I put it up against my face and looked in the mirror and I realized I had one of two choices, change the list or change myself.

But the real focus should be on people who are buying today because the base is so big it will take a long time for any change materialize on an overall basis.

Markets change, tastes change, so the companies and the individuals who choose to compete in those markets must change.

The psychological basis of the metropolitan type of individuality consists in the intensification of nervous stimulation which results from the swift and uninterrupted change of outer and inner stimuli.

Headteachers and governing bodies run schools and that won't change.