Because my musical training has been limited, I've never been restricted by what technical musicians might call a song.

Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.

I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.

I think probably Australians have just a little more taste than most people.

I still need practice in enjoying the fruits of success.

If it can affect me, if it has meaning to me, if I feel I can do it well, I will do it and record it and thats why I recorded these songs.

I've looked at photographs of myself during concerts and it sometimes looks as if I'm in a fencing move, with a guitar in my hands instead of a sword.

Songwriting is different from music, although I don't deny now that it would be nice to have a little more background in music theory.

No, I majored in biology, in a pre-med program.

When you're on a merry-go-round, you miss a lot of the scenery.

Because my musical training has been limited, I've never been restricted by what technical musicians might call a song.

It's very difficult for me to say 'I love you' but to sing 'I love you' for me is easier.

The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.

Performing is the easiest part of what I do, and songwriting is the hardest.

I don't like all of the music to be serious and deadly.

Songwritng is what I do.

Brooklyn is not the easiest place to grow up in, although I wouldn't change that experience for anything.

Chelsea Morning is a great Joni Mitchell song and I guess I'm partial to her lyrics because they show me a slightly different perspective on life.

There's a mystery to writing, and you don't really know where most of it comes from.

I came back to performing with a different attitude about performing and myself. I wasn't expecting perfection any more, just hoping for an occasional inspiration.

Songs are life in 80 words or less.

I'm lucky. Hard work is the key, but luck plays a part.

I don't feel I have to write deep and meaningful songs; they can be light and meaningless. It has to do with the place I am in my life, a really good place.

I like having a woman. I like having someone to come home to, to make all of the hard work feel worth it. I need someone with me. And I want someone.

I may have a little bit of a talent for music, but I've learnt to tap into my own self when I write. When I put the drill bit inside my heart, sometimes I come up with something light and frothy, sometimes with something deep and painful, but it's great to connect with the audience.

I used to go to my kids' soccer games and I was the only parent who wasn't screaming, because I'd have to do a show that night. It was hard. Moms and dads get more emotional at those soccer and Little League games than at a professional game.

I'm throwing myself back in because I like being married. I don't want to end this whole fabulous journey alone. I want someone by my side who I love and who loves me. I've finally found somebody who's up to the task of being my wife, because I'm very high maintenance.

It was a real hand-to-mouth existence in those early days - I'd have whatever dry cereal there was in the house for breakfast, 30 cents to spend on lunch and a hot dog for dinner. I did that for years. So there was definitely a hunger in me, of various kinds, to succeed.

The cardinal rule for any performer is that they should know themselves before they enter the spotlight, and I didn't. I was just Neil and I did what I was supposed to do. I was supposed to get married, so I got married. I was supposed to get a job, so I looked for work.

When I need my wife or when I need companionship or someone to talk to, I need it, like, now. So my wife will have to give up whatever she's doing at that moment to tend to my needs. And, in the same way, I would tend to hers. That's not such an easy thing to do.

You can't plan to write a great song. It just happens to you. It drops in your lap. It's the same thing with a woman.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.

You can have all sorts of relationships, but there's something with musicians working together where you can have relationship that can just continue to grow in a beautiful way.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

It's my fault in many cases because I don't initiate the contact to talk with a lot of other musicians.

Musician jokes are a kind of joke that usually have to do with how much money someone makes. Musicians are always starving, so they're really mean to each other about who makes what.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.

I don't take compliments very easily. I think most musicians suffer from low self-esteem to some extent.

I'm always going to get more of a charge playing Chicago than I will Duluth or some place like that. Just because of the history and the people there are way more knowledgeable than a lot of other cities. It's an amazing music scene with some great bands and great musicians.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

Success breeds volume, and it's just amazing how many young writers, artists, and musicians there are in town.

At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London.

Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.