There's a mystery to writing, and you don't really know where most of it comes from.

Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.

I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.

I think probably Australians have just a little more taste than most people.

I still need practice in enjoying the fruits of success.

If it can affect me, if it has meaning to me, if I feel I can do it well, I will do it and record it and thats why I recorded these songs.

I've looked at photographs of myself during concerts and it sometimes looks as if I'm in a fencing move, with a guitar in my hands instead of a sword.

Songwriting is different from music, although I don't deny now that it would be nice to have a little more background in music theory.

No, I majored in biology, in a pre-med program.

When you're on a merry-go-round, you miss a lot of the scenery.

Because my musical training has been limited, I've never been restricted by what technical musicians might call a song.

It's very difficult for me to say 'I love you' but to sing 'I love you' for me is easier.

The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.

Performing is the easiest part of what I do, and songwriting is the hardest.

I don't like all of the music to be serious and deadly.

Songwritng is what I do.

Brooklyn is not the easiest place to grow up in, although I wouldn't change that experience for anything.

Chelsea Morning is a great Joni Mitchell song and I guess I'm partial to her lyrics because they show me a slightly different perspective on life.

There's a mystery to writing, and you don't really know where most of it comes from.

I came back to performing with a different attitude about performing and myself. I wasn't expecting perfection any more, just hoping for an occasional inspiration.

Songs are life in 80 words or less.

I'm lucky. Hard work is the key, but luck plays a part.

I don't feel I have to write deep and meaningful songs; they can be light and meaningless. It has to do with the place I am in my life, a really good place.

I like having a woman. I like having someone to come home to, to make all of the hard work feel worth it. I need someone with me. And I want someone.

I may have a little bit of a talent for music, but I've learnt to tap into my own self when I write. When I put the drill bit inside my heart, sometimes I come up with something light and frothy, sometimes with something deep and painful, but it's great to connect with the audience.

I used to go to my kids' soccer games and I was the only parent who wasn't screaming, because I'd have to do a show that night. It was hard. Moms and dads get more emotional at those soccer and Little League games than at a professional game.

I'm throwing myself back in because I like being married. I don't want to end this whole fabulous journey alone. I want someone by my side who I love and who loves me. I've finally found somebody who's up to the task of being my wife, because I'm very high maintenance.

It was a real hand-to-mouth existence in those early days - I'd have whatever dry cereal there was in the house for breakfast, 30 cents to spend on lunch and a hot dog for dinner. I did that for years. So there was definitely a hunger in me, of various kinds, to succeed.

The cardinal rule for any performer is that they should know themselves before they enter the spotlight, and I didn't. I was just Neil and I did what I was supposed to do. I was supposed to get married, so I got married. I was supposed to get a job, so I looked for work.

When I need my wife or when I need companionship or someone to talk to, I need it, like, now. So my wife will have to give up whatever she's doing at that moment to tend to my needs. And, in the same way, I would tend to hers. That's not such an easy thing to do.

You can't plan to write a great song. It just happens to you. It drops in your lap. It's the same thing with a woman.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

Having soon discovered to be great, I must appear so, and therefore studiously avoided mixing in society, and wrapped myself in mystery, devoting my time to fasting and prayer.

It seems to me that good novels celebrate the mystery in ordinary life, and summing it all up in psychological terms strips the mystery away.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

Sir, you have tasted two whole worms; you have hissed all my mystery lectures and been caught fighting a liar in the quad; you will leave by the next town drain.

Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.

The only mystery in life is why the kamikaze pilots wore helmets.

For those who live neither with religious consolations about death nor with a sense of death (or of anything else) as natural, death is the obscene mystery, the ultimate affront, the thing that cannot be controlled. It can only be denied.

I think that the ideal space must contain elements of magic, serenity, sorcery and mystery.

It is the mystery of the creative act that something other than our conscious self takes over.

The mystery is what prompted men to leave caves, to come out of the womb of nature.

At least half the mystery novels published violate the law that the solution, once revealed, must seem to be inevitable.

Yesterday is history, tomorrow is a mystery, today is God's gift, that's why we call it the present.

Religion points to that area of human experience where in one way or another man comes upon mystery as a summons to pilgrimage.

Ballet is sort of a mystery to me. And I don't want to unravel that mystery.

I thought I had a clear picture of death, but now I know it's a mystery and it will always be a mystery, although it is something we all have in common: everybody knows that life ends with death.

It is a great mystery that though the human heart longs for Truth, in which alone it finds liberation and delight, the first reaction of human beings to Truth is one of hostility and fear!

It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.