It took a long time to get that film made. I went in for it almost right after or like maybe six or seven months after I had my son and actually auditioned for the Regina King part and they just were like, 'No, you're just - you just don't really seem the part.'

You need the words, you need the script, you need the material, you need the commitment, you need the passion, it's like we depend on writers, we depend on producers, directors depend on us and once things are in the divine order as they happen.

They have the big ferris wheel and we've been out of town for two months, so he just was like, 'Mommy I want to go to Toys R Us and I don't care if you have a movie coming out and all that.' He was just being a kid. But I had to allow him to have that moment.

I have a beautiful son, I don't regret it, I'm very proud of the way that we handle our relationship and the way that we keep our son first and that's our priority.

I took a little break - I was coming back to work and the last thing I was going to do was take a step backwards, so I knew that if I was going to take a feature it was going to have to be taking a step forward.

I don't think you should reprimand your child for everything you're feeling because for them it's as serious as when something happens in our day and we get upset about it.

I said 'Brian, no one is going to respect me as a mother after this.' He said, 'oh no, yes they will, this is a movie, don't worry about it.' But they're not.

I know where I'm going to be, I'm not traveling here and there and everywhere. That didn't necessarily prompt me to it but it definitely opened up my mind of saying okay, maybe this is a good time to do this.

I'm not going to live my life unhappy and why should he and we talk about it and I think what's great about the film is that it shows is the meaning of family doesn't have to be as traditional as it once was, like you can make a family.

He just was being four. He just was being a child. He wasn't interested in what my agenda was. He wanted to do what he wanted to do and it started because he saw the lights on in Toys R Us.

But that we didn't have the level of experience in terms of working in the industry so you weren't sure and you needed to see it and this is an industry that the more you work the better you get and that the more opportunities you have the better you get.

I think there are a lot of other actors that are just talented, it's just about this opportunity - it's just about when are we going to be put in those positions where we can shine.

We're all in the service business. If you hire me to do a job I expect everybody else to be where I am. A little bit of crazy is good. It keeps things - balanced.

I was happy she got it and I have to sort of - and one of the reasons I did Third Watch is because I wanted to break that thing of just being the pretty girl and play it down and let it be about the work.

I have a four year old and I'm telling you we did Nickelodeon last night and he embarrassed me. It was like one of those moments when I couldn't believe my kid is acting like this. I just had to just like walk away from him because he was really pushing my buttons.

I think you grow through your experiences; you get better as you grow and I'm not nearly where I think I'm going to be eventually where I inspire to be and hopefully the opportunities will continue to come.

It's my motor, it's the thing that keeps me going and so when I have these auditions for these big movies, I can depend on myself because I've been working consistently.

In terms of Cube I think he's very conscious of the technical aspect of the business whereas when you're just hired as an actor, you're not really secure in that part of your work and you're not really paying attention to where the camera.

Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.

I know for me like I have a reputation of being kind of tough, I have a reputation of also being the girl next door, kind of sweet but I have standards and my thing is, it's me on that screen and I don't have control over everything in this and I'm grateful and thankful.

We haven't even gotten a start date but we'll see what happens with that and that will be fun. I've gotten a couple of other things but I'm not really committing myself to anything yet.

First of all when you're a mommy like you like the consistency of being on a show like that's just peace of mind, I know I have financial, you know stability.

I've seen some great write ups and I emailed her the other night because I saw her on an awards show recently.

It took a long time to get that film made. I went in for it almost right after or like maybe six or seven months after I had my son and actually auditioned for the Regina King part and they just were like, 'No, you're just - you just don't really seem the part.'

I think Nina Simone has had an amazing journey. She was spicy and she had attitude and she didn't care, she wanted her money in a paper bag and don't mess with me and I've been doing some research on that so.

I think for me to find that project is going to be something that I'm going to have to develop for myself.

It's like going to the gym everyday. It really is. I work hard on my craft, I sweat a little bit, I run a little bit, I might sprain an ankle every now and them, but it's all good and the more you do it, the more in shape you are and it's like a machine.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.