I'm in my 80s and not a keen television fan.

I wanted to write a story that demanded the viewer's attention.

You get to Hollywood and you are in the land of big money where they don't like to see only one screenwriter's name. It's much better if you've got four or five.

I'd never seen any television before I started.

I don't judge other people's work and I don't see enough of it either.

Big Brother sounded like a silly stunt and that's what it is.

All stories should have some honesty and truth in them, otherwise you're just playing about.

You set up a story and it turns inside out and that is, for me, the most exciting sort of story to write. The viewer thinks it's going to be about something and it does the opposite.

I reckon I closed down at least two films companies, one of which was in Ealing in the mid 1950s.

Nothing could be recorded in those days except by aiming a movie camera at the television screen. It was at least another 10 years before they had any kind of recording medium.

The only folk I can judge are people like Woody Allen who I think is a genius, largely because I think he has beaten the system. He has his own company, and his films are all his own ideas. It's his direction, and so it comes out the way he imagined it.

Something like The Haunting is not worth the slightest consideration from me.

The trick is the paradox - turning your story inside out. Now if it is something that appears to be of total normality and then suddenly turns inside out and is a different thing all together then that's fun to write.

I'm in my 80s and not a keen television fan.

People who believe in flying saucers are the scrapings from the bottom.

I made a rule for myself that the only television things I would do would be my own stories.

I never really saw myself as writing science fiction anyway.

Fortunately, I happened to go east at a time when live television was centered in New York.

I'm not up on today's television for children, because it's mostly cartoons that don't seem to interest me.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

It's about the power of design and the power of the human spirit. It's above paying anybody to do something stupid for money like reality television does - like ambushing people.

Baseball hasn't been the national pastime for many years now - no sport is. The national pastime, like it or not, is watching television.

Networks decide who will have a chance to do shows, but it is the viewers who make the final decision of who stays and who goes. I am very fortunate, in that the television viewers of our country have decided that Bob Barker can stay.

Twin Peaks was special because it was so groundbreaking. In the early '90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.

We're just dealing with the kind of warp and woof of television ratings.

I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Television is a device that permits people who haven't anything to do to watch people who can't do anything.

I've directed a fair amount of television series - so I'm always trying to learn new things. One episode was all hand-held and I'm trying to get better at when you should do things and when you should just shut up and watch what the people are saying.

Television's Mr. Filth: that's me.

I'd really been wanting to do a television series. I was looking for a comedy.

It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.

Without television and mass communication, that knowledge wouldn't exist. So I think it actually has the possibility of turning people into more understanding and more empathetic people.

It is a significant acknowledgment that the way people are watching television is changing and the model is quickly changing.

If there's anything unsettling to the stomach, it's watching actors on television talk about their personal lives.

Very often some of the religious miracle plays you see on television can be very corny, I find. And so simplistic.

I'm very wary of news on television.

Kennedy did not have to run the risk of having his ideas and his words shortened and adulterated by a correspondent. This was the television era, not only in campaigning, but in holding the presidency.

I've always just gone with the best role, and I don't care if it's in theater, film or television.

Bill Hanna and I owe an awful lot to television, but we both got our start and built the first phase of our partnership in the movies.

Roger King is, without a doubt, the greatest salesman in the history of anything. And I don't ever limit him just to television. He could sell you anything.

People talk about that catch and, I've said this many times, that I've made better catches than that many times in regular season. But of course in my time, you didn't have a lot of television during the regular season. A lot of people didn't see me do a lot of things.

I never weigh myself, but the brutal truth of television is that they don't employ old people or fat people.

It is a different genre - a show about something other than doctors, lawyers and cops. Teachers are something completely different. I think it makes for very interesting television.

It's a fact that more people watch television and get their information that way than read books. I find new technology and new ways of communication very exciting and would like to do more in this field.

You know, 20 years... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing.

This programme would only really make sense and work properly if it was also broadcast on France's international television channel TV5. So I ended up with a double production, on France 2 and TV5.

Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live.