Jazz is a white term to define black people. My music is black classical music.

Greed has driven the world crazy. And I think I'm lucky that I have a place over here that I can call home.

I think if I were over there in America, protest music would be more important. But I'm not going.

I don't like rap music at all. I don't think it's music. It's just a beat and rapping.

The worst thing about that kind of prejudice... is that while you feel hurt and angry and all the rest of it, it feeds you self-doubt. You start thinking, perhaps I am not good enough.

Desegregation is a joke.

From the beginning, it has been a no-no for a black man to touch a white woman.

I think the rich will eventually have to cave in too, because the economic situation around the world is not gonna tolerate the United States being on top forever.

Jazz is a white term to define black people. My music is black classical music.

I'm a real rebel with a cause.

Slavery has never been abolished from America's way of thinking.

When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.

I had spent many years pursuing excellence, because that is what classical music is all about... Now it was dedicated to freedom, and that was far more important.

I think the rich are too rich and the poor are too poor. I don't think the black people are going to rise at all; I think most of them are going to die.

I would like a man now who is rich, and who can give me a boat - a sailboat. I want to own it and let him pay for it. My first love is the sea and water, not music. Music is second.

To most white people, jazz means black and jazz means dirt, and that's not what I play. I play black classical music.

There's no excuse for the young people not knowing who the heroes and heroines are or were.

Once I understood Bach's music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.

This may be a dream, but I'll say it anyway: I was supposed to be married last year, and I bought a gown. When I meet Nelson Mandela, I shall put on this gown and have the train of it removed and put aside, and kiss the ground that he walks on and then kiss his feet.

I try to swim every damn day I can, and I've learned to scuba dive and snorkel.

Funk gospel blues is all out of slavery times out of depression out of sorrow.

Youve got to learn to leave the table when loves no longer being served.

It's logical that people from bad times will reflect their feelings in their communication. Music is part of the communication. If you lived it, you can do it.

The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

In my view a jazz musician is a great musician.

Words are the children of reason and, therefore, can't explain it. They really can't translate feeling because they're not part of it. That's why it bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

I hate Stanley Clark, but I have to admit he's playing Jazz whether I like it or not.

I have to plead basic ignorance of most new jazz artists here.

If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I don't like freedom jazz - I think it's void of roots and void of foundation.

Jazz needs the help. It's the more sophisticated music. All the other music is on the TV, but jazz isn't.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I think what we need is a more welcoming mode from the people who put on a hundred million country-western shows on television. How about a monthly jazz show?

Life is a lot like jazz... it's best when you improvise.

I still love the whole history of jazz. The old things sound better than ever.

A jazz musician is a juggler who uses harmonies instead of oranges.

Jazz is a music of great achievements but speed and chops serve a different function in jazz.

I don't want to appear hostile, like I'm hostile to L.A. or that I feel that the people don't appreciate jazz. I don't think it's that. I think it's something more. It's something a little bit more complicated than that.

Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.

People sometimes say it takes a long time to become a jazz fan, but for me it took about five seconds.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

Here in England we live at a slower pace, have more time to enjoy things - like good jazz.

Jazz is rhythm and meaning.

Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing.