I'm just a storyteller.

But Madonna has a small amount of talent when it comes to movies.

It's an entire industry focusing on young male viewers that want action and violence. They sell us something that isn't valid. They're selling films like a product.

And even Moonstruck - for some reason the audience were just in the mood for a very romantic film, because it's one of the few romantic comedies to be nominated for a Best Picture Oscar.

I think you get better as you get older.

I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.

Moonstruck... was one of the few romantic comedies to be nominated for a Best Picture Oscar.

I work with a lot of movie stars.

I was very disappointed that Denzel didn't win Best Actor for The Hurricane because I thought he deserved it.

Every generation deals with the breaking down of its tradition, and I think that they rediscovered the film.

I mean they're making remakes of my films and I'm not even dead yet! Why would you want to make a remake?

I still get a lot of material but I find that as one gets older you get more fussy. You know you're going spend a year or a year and a half on this and you know there are only so many films in you so you get a little bit more selective.

Betrayal... is my favorite subject.

I don't make films to win prizes. I make films to make films.

We also have a tendency to root for the fugitive. We're always on the side of the animal being chased.

In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.

And I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.

A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.

I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.

We're always on the side of the animal that's being chased. We always seem to be on the side of the rabbit or the fox and not on the side of the hounds.

I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.

Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.

Well, you know the old line - to be nominated is what it's all about. I think that I've done pretty well - I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards in total, so I don't really have any complaints.

With most British actors, it's amazing. I think they start with the character on the outside and work in.

Everything Sholom Aleichem talks about in his plays and his short stories is about people, family, man's relationship with his God, the breaking down of tradition.

Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.

When I make a film, I never want the film to become a vehicle of social propaganda. If I wanted to do that, I'd make documentaries.

When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.

I'm in the mood for another Moonstruck experience, for another romantic comedy.

I'm going to do an adaptation of the Italian film, Bread and Tulips. I really like that film.

As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.

I'm just a storyteller.

I was really excited to have the opportunity to make Fiddler.

Do what you're told, and everything will be all right.

We also have a tendency to root for the fugitive. Were always on the side of the animal being chased.

Surround yourself with good people. Whether they're the best or not, people are capable of learning if they've got good hearts and they're good souls.

Here is a fine field for talent.

Never stop investing. Never stop improving. Never stop doing something new.

I never took banned substances, but I have been courted by doctors who wanted to improve my blood in the laboratory. My mother always put them on a flight.

Ridding the world of poverty is, of course, a fantasy.

It is the mind that maketh good of ill, that maketh wretch or happy, rich or poor.

Words never fade away but echo on for eternity. Let your echo ring sweet.

A hermitage in the forest is the refuge of the narrow-minded misanthrope; a hammock on the ocean is the asylum for the generous distressed.

The career of politics grants a feeling of power. The knowledge of influencing men, of participating in power over them, and above all, the feeling of holding in one's hands a nerve fiber of historically important events can elevate the professional politician above everyday routine even when he is placed in formally modest positions.

Do you have any idea what Ali meant to black people? He was the leader of a nation, the leader of Black America. As a young black, at times I was ashamed of my color; I was ashamed of my hair. And Ali made me proud.

I only want to give a metaphysic for my music.

After attending the gymnasium between my eighth and seventeenth years, I studied classical philology at Berlin University for two years under Boeckh and Lachmann, and with the friendly support of Emanuel Geibel and Franz Kugler, I dabbled in all sorts of poetry.

I don't look to a man to get pride in myself. It's not about having a black president, it's about having a good president, and I think that's the most important thing.

Then I loved the fact that we were actually recording live.