As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.

But Madonna has a small amount of talent when it comes to movies.

It's an entire industry focusing on young male viewers that want action and violence. They sell us something that isn't valid. They're selling films like a product.

And even Moonstruck - for some reason the audience were just in the mood for a very romantic film, because it's one of the few romantic comedies to be nominated for a Best Picture Oscar.

I think you get better as you get older.

I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.

Moonstruck... was one of the few romantic comedies to be nominated for a Best Picture Oscar.

I work with a lot of movie stars.

I was very disappointed that Denzel didn't win Best Actor for The Hurricane because I thought he deserved it.

Every generation deals with the breaking down of its tradition, and I think that they rediscovered the film.

I mean they're making remakes of my films and I'm not even dead yet! Why would you want to make a remake?

I still get a lot of material but I find that as one gets older you get more fussy. You know you're going spend a year or a year and a half on this and you know there are only so many films in you so you get a little bit more selective.

Betrayal... is my favorite subject.

I don't make films to win prizes. I make films to make films.

We also have a tendency to root for the fugitive. We're always on the side of the animal being chased.

In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.

And I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.

A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.

I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.

We're always on the side of the animal that's being chased. We always seem to be on the side of the rabbit or the fox and not on the side of the hounds.

I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.

Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.

Well, you know the old line - to be nominated is what it's all about. I think that I've done pretty well - I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards in total, so I don't really have any complaints.

With most British actors, it's amazing. I think they start with the character on the outside and work in.

Everything Sholom Aleichem talks about in his plays and his short stories is about people, family, man's relationship with his God, the breaking down of tradition.

Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.

When I make a film, I never want the film to become a vehicle of social propaganda. If I wanted to do that, I'd make documentaries.

When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.

I'm in the mood for another Moonstruck experience, for another romantic comedy.

I'm going to do an adaptation of the Italian film, Bread and Tulips. I really like that film.

As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.

I'm just a storyteller.

I was really excited to have the opportunity to make Fiddler.

Do what you're told, and everything will be all right.

We also have a tendency to root for the fugitive. Were always on the side of the animal being chased.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.

Gary Smith, when I came to America, taught me a great deal about racing.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.