I said I have no powers of invention. Well, I also have no powers of mimicry.

There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.

Anybody who writes doesn't like to be misunderstood.

A terrible thing about getting oldish is that your friends start dying, and in the last ten years I have lost seven or eight of my closest.

I said I have no powers of invention. Well, I also have no powers of mimicry.

And the second question, can poetry be taught? I didn't think so.

All those authors there, most of whom of course I've never met. That's the poetry side, that's the prose side, that's the fishing and miscellaneous behind me. You get an affection for books that you've enjoyed.

And some poets are far better read off the page because they're very bad speakers. I'm thinking of one in particular whom I won't name, a good poet, and he reads in such a dry, boring way, your eyes start drooping.

People haven't got the interest in long long works these days. A lack of interest which I share.

I don't care whether a book is a first edition or not. I'm not a bibliophile in that word's natural sense.

I used to fish the Border rivers, but nowadays you have to queue up for a shot and I can't stand that.

But I hang on to books. I love them. I even think they're very nice decor in a room - far better than paintings... That's not quite true!

In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.

When I was asked to be Writer in Residence at Edinburgh I thought, you can't teach poetry. This is ridiculous.

I only keep books that I like very much. Otherwise I'd throw them out.

And in a way, that's been a help to me, because I take great passions for a particular poet - sometimes it lasts for many years, sometimes only for a while. This happens to everybody.

But you'd have a job to find many of my poems which would seem to be very influenced by a particular person.

If I wrote a play with four characters every single one of them would talk like me regardless of age or sex.

I used to have a great love for Dostoyevsky and Tolstoy, the big boys of the last century.

It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.

Well, I'm a light traveller. I chuck things away.

When I was a teacher, teachers would come into my classroom and admire my desk on which lay nothing whatever, whereas theirs were heaped with papers and books.

And if they haven't got poetry in them, there's nothing you can do that will produce it.

However, I learned something. I thought that if the young person, the student, has poetry in him or her, to offer them help is like offering a propeller to a bird.

All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.

I don't think of myself all the time.

Well, I love fishing. I wouldn't kill a fly myself but I've no hesitation in killing a fish. A lot of men are like that. No bother. Out you come. Thump. And that's not the only reason.

I'm very gregarious, but I love being in the hills on my own.

And it's impossible for me to read Henry James.

When I go fishing I like to know that there's nobody within five miles of me.

I was very interested in American poetry for many years. Much less now.

When I talk of hearing a poet's voice speaking, I always think of it as in the presence of the man.

I find it's impossible for me to read Proust.

I never think about poetry except when I'm writing it. I mean my poetry.

A sudden silence in the middle of a conversation suddenly brings us back to essentials: it reveals how dearly we must pay for the invention of speech.

Music is not man's invention, but his heritage from the blessed spirits.

Interest is the spur of the people, but glory that of great souls. Invention is the talent of youth, and judgment of age.

There is no less invention in aptly applying a thought found in a book, than in being the first author of the thought.

The Negroes have little invention, but strong powers of imitation, so that they readily acquire mechanic arts. They have a great talent for music, and all their external senses are remarkably acute.

I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention.

Invention consists in avoiding the constructing of useless contraptions and in constructing the useful combinations which are in infinite minority.

The Internet makes it possible for people like me to live the way I do now. Without it, I'd have to be in New York or some other city. I think the Internet is the greatest invention in history after antibiotics.

And the invention of transformations of certain figures has become the most important in musical composition.

Wonderful invention, the phonograph. Keeps a man alive long after he's dead.

Telephone, n. An invention of the devil which abrogates some of the advantages of making a disagreeable person keep his distance.

There is not less wit nor less invention in applying rightly a thought one finds in a book, than in being the first author of that thought.

I'm an inventor. I became interested in long-term trends because an invention has to make sense in the world in which it is finished, not the world in which it is started.

I said I have no powers of invention. Well, I also have no powers of mimicry.

Some people really want to play Mozart and be just performers. I was more interested in invention.