When I was a teacher, teachers would come into my classroom and admire my desk on which lay nothing whatever, whereas theirs were heaped with papers and books.

There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.

Anybody who writes doesn't like to be misunderstood.

A terrible thing about getting oldish is that your friends start dying, and in the last ten years I have lost seven or eight of my closest.

I said I have no powers of invention. Well, I also have no powers of mimicry.

And the second question, can poetry be taught? I didn't think so.

All those authors there, most of whom of course I've never met. That's the poetry side, that's the prose side, that's the fishing and miscellaneous behind me. You get an affection for books that you've enjoyed.

And some poets are far better read off the page because they're very bad speakers. I'm thinking of one in particular whom I won't name, a good poet, and he reads in such a dry, boring way, your eyes start drooping.

People haven't got the interest in long long works these days. A lack of interest which I share.

I don't care whether a book is a first edition or not. I'm not a bibliophile in that word's natural sense.

I used to fish the Border rivers, but nowadays you have to queue up for a shot and I can't stand that.

But I hang on to books. I love them. I even think they're very nice decor in a room - far better than paintings... That's not quite true!

In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.

When I was asked to be Writer in Residence at Edinburgh I thought, you can't teach poetry. This is ridiculous.

I only keep books that I like very much. Otherwise I'd throw them out.

And in a way, that's been a help to me, because I take great passions for a particular poet - sometimes it lasts for many years, sometimes only for a while. This happens to everybody.

But you'd have a job to find many of my poems which would seem to be very influenced by a particular person.

If I wrote a play with four characters every single one of them would talk like me regardless of age or sex.

I used to have a great love for Dostoyevsky and Tolstoy, the big boys of the last century.

It's like breathing in and out to me. It's like having a conversation with someone who isn't there. Because it has to be addressed to somebody - not a particular person, or very rarely.

Well, I'm a light traveller. I chuck things away.

When I was a teacher, teachers would come into my classroom and admire my desk on which lay nothing whatever, whereas theirs were heaped with papers and books.

And if they haven't got poetry in them, there's nothing you can do that will produce it.

However, I learned something. I thought that if the young person, the student, has poetry in him or her, to offer them help is like offering a propeller to a bird.

All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.

I don't think of myself all the time.

Well, I love fishing. I wouldn't kill a fly myself but I've no hesitation in killing a fish. A lot of men are like that. No bother. Out you come. Thump. And that's not the only reason.

I'm very gregarious, but I love being in the hills on my own.

And it's impossible for me to read Henry James.

When I go fishing I like to know that there's nobody within five miles of me.

I was very interested in American poetry for many years. Much less now.

When I talk of hearing a poet's voice speaking, I always think of it as in the presence of the man.

I find it's impossible for me to read Proust.

I never think about poetry except when I'm writing it. I mean my poetry.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

It is chiefly through books that we enjoy intercourse with superior minds. In the best books, great men talk to us, give us their most precious thoughts, and pour their souls into ours.

It is the interest one takes in books that makes a library. And if a library have interest it is; if not, it isn't.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

I was drawn to boxing because I got beat up as a kid. I was the kid with the piano books in a New York neighbourhood.

It's clear to me that there is no good reason for many philosophy books to sound as complicated as they do.

The proper study of mankind is books.

I have written about 10 books, all just practical encouragement for moms.

Whites were the winners, blacks were the losers, we wrote the history books, and they didn't feature.

Good books, like good friends, are few and chosen; the more select, the more enjoyable.

You could say, in a vulgar Freudian way, that I am the unhappy child who escapes into books. Even as a child, I was most happy being alone. This has not changed.

Jewish villages were built in the place of Arab villages. You do not even know the names of these Arab villages, and I do not blame you because geography books no longer exist.

As I have studied the Bible and the Book of Mormon, I have come to know through the power of the Spirit of God, that these books contain the fullness of the gospel of Jesus Christ.

There are some friends you don't meet for twenty years and when you meet them again it's as if no twenty years has happened - you're lucky when that happens. I feel the same about books.

Then I found books that were written much later, as late as 15 years ago. It was very superficial material, but enough to tell me that the genesis of this story was worth exploring.