Working with a bunch of actors is like trying to tune each violin.

When I was young, my idea was to become a filmmaker.

I'm not one to dwell on rehearsal or preparation.

I like cinema. I am very fond of it. But from time to time I feel like having some time on my own.

I like films to be complete in their written form.

What I expect of a movie reviewer is that he should love cinema as much as I do.

I can zero in on subtle things because I'm holding the camera.

Married people from my generation are like an endangered species!

I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.

I am not a fan of westerns particularly.

I've always done 20 things at once. It's my way of staying alive, not to keep one dish cooking, but several dishes going. And I'm pretty organized.

My movies are, more or less, very short. I'm terrified of boring an audience.

But I won't work with the exact same crew film after film because I feel the work would get a little complacent.

You can work, shop, do everything from home, and I find this unsettling.

Yes, I am very prolific.

No, but it's not because I'm getting older that I'm trying to accelerate. But something very curious is happening: The older I get, the more ideas I'm getting.

I would rather my films be well-known than I be well-known.

Working with the same people is so much quicker and frees up your energy for other things.

I like films that are well-written and concise and with not a lot of room for improvisation.

If a film is very clever and well-written, that's what gives you freedom as a director.

Working with a bunch of actors is like trying to tune each violin.

You may think it's very presumptuous, but I really hope that my movies are going to turn people into better people.

Working with a bunch of actors is like trying to tune each violin.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

I've seen many actors go awry by making the wrong choices early on.

Actors are able to trick themselves into treating anything as if it's fantastic. It's a kind of madness really.

David Cronenberg knows what we actors do as artists.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

Comedians are not usually actors, but imitations of actors.

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

I've worked with a lot of really fine actors, both on stage and on screen. The level of their game lifts me up and brings the level of my game up to theirs. Always. It's like a constant upgrade.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.

An actors' tribute to me is in his work.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

This friend of mine said he was surprised to find that - I don't think it's quite a majority - a bigger percentage of actors are introverts than extroverts. It was a big surprise to him. Now, I know me, and I'll do anything if I'm playing a character. Or anything that's true to the character, anyway. But in real life I'm a little more withdrawn.

Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

My favorite actors when I was a kid were in their '60s. Spencer Tracy, Humphrey Bogart, John Wayne.

I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.

I usually hang out on the set. I get to know everybody. I have a nice time with the other actors.