Working with the same people is so much quicker and frees up your energy for other things.

When I was young, my idea was to become a filmmaker.

I'm not one to dwell on rehearsal or preparation.

I like cinema. I am very fond of it. But from time to time I feel like having some time on my own.

I like films to be complete in their written form.

What I expect of a movie reviewer is that he should love cinema as much as I do.

I can zero in on subtle things because I'm holding the camera.

Married people from my generation are like an endangered species!

I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.

I am not a fan of westerns particularly.

I've always done 20 things at once. It's my way of staying alive, not to keep one dish cooking, but several dishes going. And I'm pretty organized.

My movies are, more or less, very short. I'm terrified of boring an audience.

But I won't work with the exact same crew film after film because I feel the work would get a little complacent.

You can work, shop, do everything from home, and I find this unsettling.

Yes, I am very prolific.

No, but it's not because I'm getting older that I'm trying to accelerate. But something very curious is happening: The older I get, the more ideas I'm getting.

I would rather my films be well-known than I be well-known.

Working with the same people is so much quicker and frees up your energy for other things.

I like films that are well-written and concise and with not a lot of room for improvisation.

If a film is very clever and well-written, that's what gives you freedom as a director.

Working with a bunch of actors is like trying to tune each violin.

You may think it's very presumptuous, but I really hope that my movies are going to turn people into better people.

Working with a bunch of actors is like trying to tune each violin.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

I merely took the energy it takes to pout and wrote some blues.

I didn't know at the time that the energy that I was giving off was like a battle Emcee.

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.

It takes a lot more energy to fail than to succeed, since it takes a lot of concentrated energy to hold on to beliefs that don't work.

I try to give positive energy in all my shows.

In modelling, there is no point in trying to prove you have a brain, so why even bother? I'd sooner save the energy for something more meaningful.

I was part of it, and I am still part of it today in terms of what it means to a whole new generation of people who are interested in the enduring energy, achievements, spirit and creativity that exemplified our era.

I always like having kid energy around. I think it's good for a movie, even when you're doing dramatic stuff.

You had to decompress the pressure before the race. I taught my heart to relax. I lay down before the race. It gave me more energy just before the race.

As long as I had easy access to psychedelics at the government-sponsored research project, most of my energy went into psychedelic sessions.

You can have anything you want if you want it desperately enough. You must want it with an inner exuberance that erupts through the skin and joins the energy that created the world.

Nerves provide me with energy... It's when I don't have them, when I feel at ease, that's when I get worried.

Electric cars aren't pollution-free; they have to get their energy from somewhere.

When I see someone who is starved, they don't look alert. They don't have boundless energy. If you're too skinny, it looks like you're near death.

Why is it so painful to watch a person sink? Because there is something unnatural in it, for nature demands personal progress, evolution, and every backward step means wasted energy.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

If for no other reason than the energy crisis now facing this country, the federal government should be eager to become partners with us in rebuilding our city.

It takes a lot of energy to teach.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

I believe that the average guy in the street will give up a great deal, if he really understands the cost of not giving it up. In fact, we may find that, while we're drastically cutting our energy consumption, we're actually raising our standard of living.

Life must be considered sui generis; it is not a form of energy, nor can it be expressed in terms of something else.

Men find it difficult because I've got so much energy and hardly sleep at night, only four or five hours. I wake up in the early hours and potter around.

It is greater than the stars - that moving procession of human energy; greater than the palpitating earth and the things growing thereon.

It is really hard to do comedy; it takes a lot of energy and focus. It's rather like music: It's a lot of hitting notes precisely.