The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.

The logic of validation allows us to move between the two limits of dogmatism and skepticism.

Narrative identity takes part in the story's movement, in the dialectic between order and disorder.

Wisdom finds its literary expression in wisdom literature.

If the Resurrection is resurrection from the dead, all hope and freedom are in spite of death.

The moral law commands us to make the highest possible good in a world the final object of all our conduct.

Although there has always been a hermeneutic problem in Christianity, the hermeneutic question today seems to us a new one.

This is perhaps the most profound meaning of the book of Job, the best example of wisdom.

If it is true that there is always more than one way of construing a text, it is not true that all interpretations are equal.

First, it is not unimportant that the legislative texts of the Old Testament are placed in the mouth of Moses and within the narrative framework of the sojourn at Sinai.

There is no shorter path for joining a neutral existential anthropology, according to philosophy, with the existential decision before God, according to the Bible.

The text is a limited field of possible constructions.

The Law is one aspect of a much more concrete and encompassing relation than the relation between commanding and obeying that characterizes the imperative.

There has always been a hermeneutic problem in Christianity because Christianity proceeds from a proclamation.

For my own part, I abandon the ethics of duty to the Hegelian critique with no regrets; it would appear to me, indeed, to have been correctly characterized by Hegel as an abstract thought, as a thought of understanding.

Myth expresses in terms of the world - that is, of the other world or the second world - the understanding that man has of himself in relation to the foundation and the limit of his existence.

So long as the New Testament served to decipher the Old, it was taken as an absolute norm.

Testimony gives something to be interpreted.

Testimony should be a philosophical problem and not limited to legal or historical contexts where it refers to the account of a witness who reports what he has seen.

What must be the nature of the world... if human beings are able to introduce changes into it?

Hope, insofar as it is hope of resurrection, is the living contradiction of what it proceeds from and what is placed under the sign of the Cross and death.

But myth is something else than an explanation of the world, of history, and of destiny.

On a cosmic scale, our life is insignificant, yet this brief period when we appear in the world is the time in which all meaningful questions arise.

It is always possible to argue against an interpretation, to confront interpretations, to arbitrate between them and to seek for an agreement, even if this agreement remains beyond our reach.

Ordinary language carries with it conditions of meaning which it is easy to recognize by classifying the contexts in which the expression is employed in a meaningful manner.

Man is this plural and collective unity in which the unity of destination and the differences of destinies are to be understood through each other.

The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.

Testimony demands to be interpreted because of the dialectic of meaning and event that traverses it.

On a cosmic scale our life is insignificant yet this brief period when we appear in the world is the time in which all meaningful questions arise.

It is always possible to argue against an interpretation, to confront interpretations, to arbitrate between them and to seek for an agreement, even if this agreement remains beyond our reach.

There was a wise old owl who sat in a tree The less he spoke the more he heard The more he heard the less he spoke Why can't we be like that wise old owl in the tree? Speech must die to serve that which is spoken.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.